Radars & Fences III

Radars and Fences progam, with Laila & me
On Friday March 12th 2010 I will be participating at NYU’s Media Culture & Communications’ Radars & Fences III: Borders, Affect, Space (please RSVP and come). My friend Laila El-Haddad and I will present You Are Not Here – A Tour of Gaza Through the Streets of Tel Aviv, and we’ll discuss the way geography and the concept of the border is shaping the mediated experience of the conflict. We will also discuss some of our recent initiatives to disrupt the theater of conflict resolution.
I am posting an essay Laila and I wrote for the catalog of the Unrecorded exhibition in Istanbul, March 2008, curated by Basak Senova. At the end of the essay I embedded the videos of Laila & Saeed’s Al Jazeera documentary Tunnel Trade that have inspired this text.
The Gaza Tunnel Trade: Interpretations of Occupied Space
by Laila El-Haddad and Mushon Zer-Aviv

When Israel withdrew from the Sinai Peninsula in 1982, the city of Rafah was suddenly split between Egypt and Gaza by an Israeli wall. Families found themselves divided by a high-security international border, though their houses often lay less than 100m apart. Before long, influential families who once controlled trade through Rafah moved their business underground through dozens of secret tunnels burrowed below the border, connecting family houses on either side.
With Israel’s military withdrawal from Gaza in 2005, the number of tunnels mushroomed. The Israeli military used the tunnels as a pretext for stepping up demolitions of houses to make way for a buffer zone along the border. Israel’s main concern is the smuggling of weapons to armed Palestinian groups. But for the smugglers themselves there is far more to the tunnel trade than politics and arms smuggling. Everything moves through Rafah’s tunnels: from cigarettes and drugs to cash and people. It is a vast enterprise, and pays five times an average annual Gaza salary in one month. It is a family business, passed on from father to son and always – for reasons of security as well as economics – kept in the family. Read More





One of the sections we’ve drafted was an unexpected yet somewhat obvious epilogue which will refer to some of the anecdotes that we are experiencing through this collaboration. I want to share one of them with you now. Around noon today we hear a knock on the door. Now let me just explain the set up, we’re working from a hotel room in a complex called IMA Design Village, on the 5th floor of an old (nicely) reappropriated industrial building with a jerky elevator and nothing to really point you at where we are. All of us were in the room at the time and we were not expecting any company. We opened the door and there stood a guy around our age who said he has heard about the project and he wants to contribute.

סדנה בבצלאל – המרחב הישראלי: תאוריית הקשר
English notice: This post is a part of the “Israeli Sphere: Connection Theory” a workshop I lead in Bezalel Art and Design School in Jerusalem, Israel. The workshop will be led in Hebrew, but I will try to post its results here with some English to accompany it too. Here’s a short description in English:
The Israeli Sphere: Connection Theory
1948, The water level in the sea of Galilee, Bublil, Shema Yisrael, what’s the connection?
Through a design-research workshop we will place information bits lost inside the web of the “Israeli sphere” in an attempt to find out, where is this Israel sphere anyway? How to design inside it? Towards it? From it? Students will work in small groups and will conduct a networked research following cultural, logical and visual connections. The work methodology will be divided into three steps: Content, Structure & Presentation, inspired by new approaches of indexing, linking and delivering information online. In spite of the networked inspiration and practice, the output of the workshop is not limited to this medium or the other and the workshop is open to students from different disciplines as long as they are ready to work hard, sleep little and experiment with this new and challenging process.
תיאור הסדנה
1948, מפלס הכנרת, בובליל, שמע ישראל… מה הקשר?
Read More »
במהלך סדנת עיצוב-חוקר נמקם פיסות מידע אובדות בתוך רשת ה”מרחב הישראלי” במטרה לגלות איפה זה בכלל המרחב הישראלי הזה? כיצד מעצבים בתוכו? לתוכו? מתוכו? סטודנטים יעבדו בקבוצות קטנות וינהלו מחקר מרושת בעקבות הקשרים תרבותיים, לוגיים וחזותיים. מתודולוגיית העבודה תחולק לשלושה שלבים: תוכן, מבנה ותצוגה בהשראה מגישות חדשות לתיוג, חיווט והגשה של מידע ברשת. על אף ההשראה והפרקטיקה המרושתת, תוצרי הסדנה אינם מוגבלים למדיום זה או אחר והסדנה פתוחה לסטודנטים מדיסיפלינות שונות כל עוד הם מוכנים לעבוד קשה, לישון מעט ולהתנסות בצורת עבודה חדשה ומאתגרת.