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		<item>
		<title>Can Design By Committee Work? [@SmashingMag &amp; C-F]</title>
		<link>http://www.mushon.com/2010/08/01/can-design-by-committee-work-essay/</link>
		<comments>http://www.mushon.com/2010/08/01/can-design-by-committee-work-essay/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 15:41:46 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[Recommended Posts]]></category>
		<category><![CDATA[in English]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[collaborative futures]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[debconf]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[essay]]></category>
		<category><![CDATA[free software]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[leadership]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[openness]]></category>
		<category><![CDATA[smashing magazine]]></category>
		<category><![CDATA[webdesign]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=689</guid>
		<description><![CDATA[I&#8217;ve been teaching a class on the subject for 3 years, I&#8217;ve been giving talks on the subject for almost a year. Finally I set down and wrote the essay for the second edition of the Collaborative Futures book. On Sunday (Aug 1st 2010) I gave a talk based on this essay at DebConf the [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been teaching a class on the subject for 3 years, I&#8217;ve been giving talks on the subject for almost a year. Finally I set down and wrote the essay for the second edition of the <a href="http://www.mushon.com/tag/collaborative-futures/">Collaborative Futures book</a>. On Sunday (Aug 1st 2010) I gave a talk based on this essay at <a href="http://penta.debconf.org/dc10_schedule/day_2010-08-01.en.html">DebConf the Debian community conference</a>. The title of the talk is &#8220;Beyond Sharing: Open Source Design&#8221;. The (high-pitch audio) <a href="http://meetings-archive.debian.net/pub/debian-meetings/2010/debconf10/high/1103_Beyond_Sharing_Open_Source_Design.ogv" target="_blank">presentation is available on the Debian site</a> (requires Firefox or another OGV playing browser).</p>
<p>I am using a purely browser based presentation, which you can <a href="http://mushon.com/xtra/osd/osd_debconf2010.html" target="_blank">check here</a>, and <a href="http://github.com/mushon/osd-presentation">fork on Github</a> <img src='http://www.mushon.com/wp/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>The article is now <a href="http://www.smashingmagazine.com/2010/09/01/the-case-for-open-source-design-can-design-by-committee-work/" target="_blank">published at Smashing Magazine</a>, please read and discuss it there (closing the comments).</p>
<p style="text-align: center;"><a href="http://www.smashingmagazine.com/2010/09/01/the-case-for-open-source-design-can-design-by-committee-work/"><img class="aligncenter size-full wp-image-761" title="sm_osd" src="http://www.mushon.com/wp/wp-content/uploads/2010/08/sm_osd.gif" alt="Open Source Design at Smashing Magazine" width="500" height="481" /></a></p>
<hr />
<h2>Can Design By Committee Work?</h2>
<h3>The Case for Open Source Design</h3>
<p>In celebrating the merits of Free Software and the excitement of this  radical networked production method, an important truth is left  unspoken. Networked collaboration shines in the low levels of network protocols,  server software and memory allocation, but user interface has  consistently been a point of failure. How come the networked  collaboration that transformed code production and encyclopedia writing  fails to transcend into graphic and interface design?</p>
<p>The following is an investigation into the difficulties in extending  the Open Source collaboration model from coding to its next logical  step, namely interface design. While it dives deep into the practical  difference between these two professional fields, it might also serve as  a cautious note to consider before rushing to declare the rise of &#8220;Open  Source Architecture&#8221;, &#8220;Open Source University&#8221;, &#8220;Open Source  Democracy&#8221;&#8230;</p>
<div id="attachment_720" class="wp-caption aligncenter" style="width: 610px"><a href="http://www.mushon.com/wp/wp-content/uploads/2010/08/osd_diagram_9.png"><img class="size-medium wp-image-720" title="osd_diagram_9" src="http://www.mushon.com/wp/wp-content/uploads/2010/08/osd_diagram_9-600x450.png" alt="" width="600" height="450" /></a><p class="wp-caption-text">The Open Source process</p></div>
<p><a href="http://www.smashingmagazine.com/2010/09/01/the-case-for-open-source-design-can-design-by-committee-work/" target="_self">Read on at Smashing Magazine</a></p>
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		<title>Collaborative Futures June 2010: Day 2</title>
		<link>http://www.mushon.com/2010/06/25/collaborative-futures-june-2010-day-2/</link>
		<comments>http://www.mushon.com/2010/06/25/collaborative-futures-june-2010-day-2/#comments</comments>
		<pubDate>Fri, 25 Jun 2010 12:23:01 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[book sprint]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[collaborative futures]]></category>
		<category><![CDATA[conversation]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=641</guid>
		<description><![CDATA[Is a book &#8220;content&#8221; or &#8220;conversation&#8221;? With the notion of challenging the power of monolithic institutions, are we creating one in the form of a book? Should we focus on the motivation, or the invitation? Do &#8220;in-dividuals&#8221; even exist? A lot of work has been done, a lot of challenges in weaving our diverging views [...]]]></description>
			<content:encoded><![CDATA[<h2>Is a book &#8220;content&#8221; or &#8220;conversation&#8221;? With the notion of challenging the power of monolithic institutions, are we creating one in the form of a book? Should we focus on the motivation, or the invitation? Do &#8220;in-dividuals&#8221; even exist?</h2>
<div id="attachment_646" class="wp-caption aligncenter" style="width: 510px"><a href="http://www.mushon.com/wp/wp-content/uploads/2010/06/CF_day2.jpg"><img class="size-full wp-image-646" title="CF_day2" src="http://www.mushon.com/wp/wp-content/uploads/2010/06/CF_day2.jpg" alt="" width="500" height="375" /></a><p class="wp-caption-text">ambiguous thoughts on sticky notes</p></div>
<p>A lot of work has been done, a lot of challenges in weaving our diverging views into the book in a way that would create that multiplicity that we want but still maintain the reading flow and would make for a good read.</p>
<p>We have acknowledged several times that this book sprint, editing an existing book originally written 5 months ago by a mostly different group of people is a completely different project than the original sprint. While then we started from 2 words (&#8220;Collaborative Futures&#8221;) that are predefined and cannot be changed, only expanded upon, this time we started from 33,000 words that we needed to position ourselves against, edit, change, replace, expand&#8230;</p>
<p>On the first day we had a lot of conversations between the new authors and some of the original team. This has continued on the second day, with authors challenging each others writings, both the one made in January and the new writing now. This is a conversation, and since the text is malleable and is prone to constant change, it is an ongoing conversation. But at some point the conversation has to stop and a book is generated and printed. A book can contain a documented conversation, but can it <strong>be</strong> a dynamic conversation? Or is a book always &#8220;content&#8221; &#8211; static and monolithic?</p>
<h3>Motivation vs. Invitation vs. Individuals</h3>
<p>Another theme that was dominant from day one is a large unease with the discussion of motivation. Astra argued against the general amazement at &#8220;why do people collaborate outside of the traditional market framework?&#8221; as it assumes these frameworks are the only way we can define social production. From a Marxist point of view everything is social production and the fixation around value exchange and markets should not be regarded as the fundamental concept through which to evaluate collaborative work. Catherine (Kanarinka) argued against our fixation with the construct of the &#8220;in-dividual&#8221; (undivided) as we are a multiplicity internally and externally and the whole discussion of intrinsic and extrinsic motivations does not make sense to her.</p>
<p>We have changed that motivation chapter completely. Alan (working from Berlin) has worked with us on framing the discussion around the &#8216;invitation&#8217;. What is the invitation to collaborate? What does it promise? Who has the power to define the invitation? Who is it aimed at? Not only initially, before the collaboration starts, but also throughout the collaboration. We argue the invitation is a powerful aspect constantly defining the collaborative framework.</p>
<h3>One day left</h3>
<p>A lot to do&#8230; We will mainly need to work on the flow. As I said, make sure it makes for a good read, even if the result is more schizophrenic than the original text was just a few days ago. We&#8217;ll need to work against the tyranny of structurelessness, while acknowledging and  managing the oppressive power of monolithic structures. We also want to finish some of the writing we&#8217;ve been working on, like my long overdue text about Open Source Design and networked creativity beyond code. <a href="http://galiaoffri.com/">Galia</a> is working on a cover for the June version of the book, we&#8217;re already pretty excited about her ideas and drafts.</p>
<p>Oh, and we also need to settle my dispute with Catherine, why does she think she needs to get rid of the individual to allow for multiplicity of identity and agency? And can we indeed agree to call ourselves &#8220;creatures&#8221;? Does it matter?</p>
<p>Fun stuff&#8230; intense!</p>
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		<title>Collaborative Futures June 2010: Day 1</title>
		<link>http://www.mushon.com/2010/06/24/collaborative-futures-june-2010-day-1/</link>
		<comments>http://www.mushon.com/2010/06/24/collaborative-futures-june-2010-day-1/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 11:58:26 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[book sprint]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[collaborative futures]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=625</guid>
		<description><![CDATA[A new team of authors/editors with a fresh set of eyes, critically dissected our initial conventions about collaboration. The main surgical intervention will happen now, by Friday night we should stitch it all together. It&#8217;s scary to see your labor of love on the surgeon&#8217;s table. That&#8217;s a bit of how it feels now after [...]]]></description>
			<content:encoded><![CDATA[<h2>A new team of authors/editors with a fresh set of eyes, critically dissected our initial conventions about collaboration. The main surgical intervention will happen now, by Friday night we should stitch it all together.</h2>
<div id="attachment_630" class="wp-caption aligncenter" style="width: 510px"><a href="http://www.flickr.com/photos/mushon/sets/72157624346611684/"><img class="size-full wp-image-630 " title="CF_day1" src="http://www.mushon.com/wp/wp-content/uploads/2010/06/CF_day11.jpg" alt="" width="500" height="375" /></a><p class="wp-caption-text">Second Collaborative Futures team starting the book sprint with a Skype session with more of the original authors</p></div>
<p>It&#8217;s scary to see your labor of love on the surgeon&#8217;s table. That&#8217;s a bit of how it feels now after the first day of the June 2010 Collaborative Futures book sprint.</p>
<p>Kanarinka, Astra Taylor &amp; Verina Gfader have joined Michael Mandiberg and myself at Eyebeam and Adam Hyde, Alan Toner &amp; Mike Linksvayer (via Skype). The new authors having read the book, set to examine the convictions and ideological frameworks that have defined the book written in January. Like in the previous sprint, we expressed ideas and themes through sticky notes and then clustered them together.</p>
<p>These are the titles of the clusters we came up with:</p>
<ul>
<li>The imaginary author</li>
<li>The imaginary reader</li>
<li>Change fetishism</li>
<li>Marketing the ideology</li>
<li>Value / labor / capital</li>
<li>Scope of (the term) &#8220;collaboration&#8221;</li>
<li>Meritocracy</li>
<li>Context &amp; location</li>
<li>Aesthetics</li>
<li>Gender</li>
<li>The tyranny of structurelessness</li>
<li>Invitation</li>
<li>Evaluation standards</li>
<li>Antagonism</li>
<li>Friendship</li>
<li>Book as medium</li>
<li>Critical glossary</li>
<li>More images, diagrams&#8230;</li>
</ul>
<p>You can actually see all the stickies on <a href="http://www.flickr.com/photos/mushon/sets/72157624346611684/" target="_blank">my Flickr set.</a></p>
<p>There was an interesting discussion about inconsistency in the book. While inconsistency makes the reading slightly harder, it can also be framed as information that exposes diverging views. One of the challenges we face is making the reading flow and not be broken by inconsistency, but at the same time leave room for multiplicity and conflicting views.</p>
<p>More updates will follow, got to rush and start the second day&#8230;</p>
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	<creativeCommons:license>http://creativecommons.org/licenses/by-sa/3.0/us/</creativeCommons:license>
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		<title>The Futures are Collaborative Again</title>
		<link>http://www.mushon.com/2010/06/22/the-futures-are-collaborative-again/</link>
		<comments>http://www.mushon.com/2010/06/22/the-futures-are-collaborative-again/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 03:46:07 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[collaborative futures]]></category>
		<category><![CDATA[eyebeam]]></category>
		<category><![CDATA[flossmanuals]]></category>
		<category><![CDATA[re:group]]></category>
		<category><![CDATA[transmediale]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=616</guid>
		<description><![CDATA[Starting tomorrow morning and for the next 3 days we will work on a new edition of the Collaborative Futures book. As I&#8217;ve done before I will keep updating with posts here every evening. In the meanwhile I will leave you with the spiel: In January 2010 six authors and one programmer were locked in [...]]]></description>
			<content:encoded><![CDATA[<h2>Starting tomorrow morning and for the next 3 days we will work on a new edition of the Collaborative Futures book.</h2>
<p>As I&#8217;ve done before I will keep updating with posts here every evening. In the meanwhile I will leave you with the spiel:</p>
<p><object type="application/x-shockwave-flash" data="http://vimeo.com/moogaloop.swf" width="500" height="375"><param name="allowscriptaccess" value="always"/><param name="allowfullscreen" value="true"/><param name="movie" value="http://vimeo.com/moogaloop.swf"/><param name="flashvars" value="clip_id=9840822&#038;color=00adef&#038;fullscreen=1&#038;server=vimeo.com&#038;show_byline=1&#038;show_portrait=1&#038;show_title=1"/></object></p>
<p>In January 2010 six authors and one programmer were locked in a room  in Berlin and were assigned by the <a href="http://www.transmediale.de/" target="_blank">Transmediale festival</a> to  collaboratively write a book titled &#8220;Collaborative Futures&#8221;.</p>
<p>5 days and 33,000 words later the first incarnation of Collaborative  Futures was <a href="http://www.mushon.com/2010/01/23/collaborative-futures-day5-done/">finished online</a>, and sent off to be printed. 5 months later  the original authors together with three new people and will be locked  in Berlin and <a href="http://vimeo.com/9840822" target="_blank">New York</a> to produce the second edition of the same book.</p>
<p>They will be joined by additional guests and contributors who will  drop in or contribute remotely on the Booki.cc website.</p>
<ul>
<li>We will meet every morning at 9:30am and will write until the sun  or our minds sets (the later of the two).</li>
<li>We will use the Booki.cc  online software to write, edit and collaborate.</li>
<li>We will edit the  existing work, possibly even replacing full chapters.</li>
<li>We will write  new chapters to extend, complement and possibly contradict the existing  ones.</li>
<li>We will eat and drink in the space and will have dinners  together on the three days.</li>
<li>We will argue and fight against each  other and against the paradigms of this collaborative effort and its  tendency to subsume our conflicting voices.</li>
<li>We will produce the 2nd  edition of the Collaborative Futures book by the evening of Friday,  June 25th.</li>
</ul>
<h3>Get Involved</h3>
<p>To help writing and editing the book read this chapter first:</p>
<p>http://www.booki.cc/collaborativefutures/write-this-book/</p>
<p>Then register  and contribute through:<br />
<a href="http://www.booki.cc/collaborativefutures/edit/" target="_blank">http://www.booki.cc/collaborativefutures/edit/</a></p>
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		<title>Re:Group &#8211; Beyond Models of Participation</title>
		<link>http://www.mushon.com/2010/06/11/regroup-beyond-models-of-participation/</link>
		<comments>http://www.mushon.com/2010/06/11/regroup-beyond-models-of-participation/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 23:26:21 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[consensus]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[eyebeam]]></category>
		<category><![CDATA[not an alternative]]></category>
		<category><![CDATA[participation]]></category>
		<category><![CDATA[re:group]]></category>
		<category><![CDATA[statements]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=606</guid>
		<description><![CDATA[For the past year I have been collaborating with Paul Amitai (Eyebeam), Jason Jones &#38; Beka Economopoulos (Not An Alternative) and Marco Desiris (Snafu) on a talk series as a part of Upgrade NY. The series revolved around open source as it relates to activism and creative practice. Yesterday we opened an exhibition on this [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_609" class="wp-caption alignright" style="width: 260px"><a href="http://www.mushon.com/wp/wp-content/uploads/2010/06/regroup.png"><img class="size-thumbnail wp-image-609" title="Re:Group - Beyond Models of Consensus" src="http://www.mushon.com/wp/wp-content/uploads/2010/06/regroup-250x304.png" alt="" width="250" height="304" /></a><p class="wp-caption-text">The brouchure cover by Ange Tang</p></div>
<p>For the past year I have been collaborating with Paul Amitai (<a href="http://eyebeam.org/events/regroup-beyond-models-of-consensus">Eyebeam</a>), Jason Jones &amp; Beka Economopoulos (<a href="http://www.notanalternative.net/regroup-beyond-models-of-consensus" target="_blank">Not An Alternative</a>) and Marco Desiris (<a href="http://www.thething.it/snafu/">Snafu</a>) on a talk series as a part of <a href="http://upgrade.eyebeam.org/">Upgrade NY</a>. The series revolved around open source as it relates to activism and creative practice. Yesterday we opened an <a href="http://upgrade.eyebeam.org/2010/06/regroup-beyond-models-of-consensus/" target="_blank">exhibition on this theme</a>, investigating models of participation and participation as a model.</p>
<p>The show features 13 works from a long list of artists and art collectives. The collaborative process of developing the show was quite fascinating (though sometimes excruciating) on its own. This process reached its climax when we had a really hard time arriving to a consensus on the curatorial statement. Things got pretty emotional as each side felt subsumed by the other in a futile attempt to find the middle ground.</p>
<p>In the core of the disagreement was an intellectual argument Jason  and I have been (really) enjoying for the past three years. If we have not reached an agreement for three years, a three days deadline was not enough to change it. Finally we realized that in the rush to come up with a uniform statement we have not internalized the tagline we chose for the show and go &#8220;beyond consensus&#8221;. We decided to publish an <a href="http://upgrade.eyebeam.org/2010/06/regroup-beyond-models-of-consensus-curatorial-statements/">introduction followed by two curatorial statements</a>.</p>
<p>Excerpt from the intro:</p>
<blockquote><p>For the past year Eyebeam and Not An Alternative have organized the NY  node of Upgrade!, with the theme Open Source in Activist and Creative  Practice. The decision to produce this show was born from that  collaboration, however the curatorial concept was a source of constant  debate. A unified position was never achieved, but collaboration does  not necessarily result in synthesis. The intention with the following  two curatorial statements is to reflect subtle but important differences  in our curatorial perspectives on the subjects of collaboration and  participation. As we reflect back on the process of curating this show  we see that our experience was far richer because of the (albeit  sometimes painful) philosophical, aesthetic, and political debates among  us.  While harmonious unanimity was never achieved, in our view this  must not be seen as an inevitable goal. We appreciate that in this show  about collaboration, our curatorial collaboration has honored distinct  positions, rather than subsuming difference in pursuit of consensus.<img title="More..." src="../wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" /></p></blockquote>
<p><span id="more-606"></span>Excerpt from the first statement:</p>
<blockquote><p>Works featured in Re:Group either incorporate or address  participatory models in an attempt to expose their inner conflicts. Who  profits the most out of gift economies? How long is the attention span  of global solidarity? What are the economics of social capital? Will the  tactics of over-identification win the war or just the battle? Does  free software spell free speech or free beer or maybe just free labor?  Can peer to peer technologies oppose centralized power structures or do  they actually ensure the failure of unions to provide sustained  resistance? And finally can we go beyond these binaries (the ‘or’s) and  confront the multiplicity (the ‘and/or’s) that is network culture?</p>
<p>From within this network of contradictions we have to emerge time and  time again with new gain/loss analysis and to constantly reposition  ourselves within each participatory context. So we can participate in  unauthorized participation, sustain power through free association,  collaborate beyond models of consensus&#8230; and later also tweet about it.</p></blockquote>
<p>Excerpt from the second statement:</p>
<blockquote><p>If participatory frameworks are to have any meaningful political  consequence or activist import, they must intervene on some object, to  operate in service of an end. Conflict is a necessary result of such  collaboration, and a key driving force within it. Current conversations  around participation idealize harmony and unison, but we ask whether  synthesizing perspectives and valorizing consensus might actually  subsume dissenting viewpoints, through the tyranny of compromise and the  rule of the lowest common denominator. From this view, we fear a  disavowal of power rather than an honest discussion about it.</p>
<p>And so we pass on politesse, and draw a line in the sand. We aren’t  interested in raising questions, exploring models of participation or  experiments in collaboration. We take a position: that participationism  plagues us. More than dismantling or distributing power, we’ve  invisibilized and extended it. An intervention is in order, and we offer  practices and programming that contribute to this conversation:  foregrounding the contours and boundaries inherent in participation, the  contradictions and conflicts in a fruitful collaboration.</p></blockquote>
<p>Now <a href="http://upgrade.eyebeam.org/2010/06/regroup-beyond-models-of-consensus-curatorial-statements/" target="_blank">go read the whole statement</a>. And <a href="http://upgrade.eyebeam.org/2010/06/regroup-beyond-models-of-consensus/" target="_blank">visit the show</a>, it&#8217;s up until the end of July with tons of events (which I will write more about later).</p>
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	<creativeCommons:license>http://creativecommons.org/licenses/by-sa/3.0/us/</creativeCommons:license>
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		<title>Diaspora&#8217;s Kickstarter $$$,$$$ success endangers both Diaspora, Kickstarter &amp; you</title>
		<link>http://www.mushon.com/2010/05/14/diasporas-kickstarter-success-endangers-both-diaspora-kickstarter-you/</link>
		<comments>http://www.mushon.com/2010/05/14/diasporas-kickstarter-success-endangers-both-diaspora-kickstarter-you/#comments</comments>
		<pubDate>Fri, 14 May 2010 20:04:25 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[crowdfunding]]></category>
		<category><![CDATA[diaspora]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[social media]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=591</guid>
		<description><![CDATA[The Internets is all buzzing with chatter against Facebook&#8217;s latest privacy breaches. Into this happy mix a bunch of NYU students have been cast as the Davids against the social networking Goliath. Is that really a good thing? Can we help? Diaspora is a new initiative by 4 NYU students to create a &#8220;privacy aware, [...]]]></description>
			<content:encoded><![CDATA[<h2>The Internets is all buzzing with chatter against Facebook&#8217;s latest privacy breaches. Into this happy mix a bunch of NYU students have been cast as the Davids against the social networking Goliath. Is that really a good thing? Can we help?</h2>
<div id="attachment_597" class="wp-caption alignright" style="width: 310px"><a href="http://www.joindiaspora.com/"><img class="size-full wp-image-597 " title="d" src="http://www.mushon.com/wp/wp-content/uploads/2010/05/d.jpg" alt="" width="300" height="199" /></a><p class="wp-caption-text">Friends are there... or are they?</p></div>
<p><a href="http://joindiaspora.com/project.html">Diaspora</a> is a new initiative by 4 NYU students to create a &#8220;privacy aware, personally controlled, do-it-all  distributed open source social network&#8221; by the end of the summer. A worthy mission indeed with quite an ambitious time line.</p>
<p>Doing what every smart start-up would do, the Diaspora founders seized the moment, and on April 24th published a video presenting the idea and started a <a href="http://www.kickstarter.com/projects/196017994/diaspora-the-personally-controlled-do-it-all-distr">Kickstarter campaign</a> to crowdfund (distributed seed donations) the project. They set a goal of raising $10,000 in 5 weeks time.</p>
<p>Some FB users got sick of their own impotent frustration and decided the  answer should be Diaspora. The project&#8217;s Kickstarter campaign has become a referendum on Facebook with geeks expressing their frustration by throwing many $$$s at Diaspora&#8217;s direction. For better or worse this is done out of protest against Facebook, not necessarily out of faith in Diaspora.</p>
<p>News of Diaspora being cast as the battlefront against Facebook spread fast, with twitter updates informing <a href="http://www.readwriteweb.com/archives/diaspora_project_building_the_anti-facebook.php">blogposts</a> (and <a href="http://gizmodo.com/5537502/diaspora-the-student+made-privacy+respecting-facebook-alternative">¶</a>, <a href="http://news.cnet.com/8301-13505_3-20004785-16.html">¶</a>, <a href="http://scitech.blogs.cnn.com/2010/05/12/meet-diaspora-the-anti-facebook/?hpt=Sbin">¶</a>, <a href="http://mashable.com/2010/05/13/diaspora/">¶</a>, <a href="http://smarterware.org/5996/from-facebook-to-diaspora">¶</a>, <a href="http://www.readwriteweb.com/archives/diaspora_project_building_the_anti-facebook.php">¶</a>&#8230;), (ironically) informing Facebook updates, informing a <a href="http://www.nytimes.com/2010/05/12/nyregion/12about.html">New York Times article</a>. At the time this post is published Diaspora have met their funding goal almost 18 times.</p>
<h3>This is all great BUT&#8230;</h3>
<p>This is supposed to be an open source, community effort kinda thing, not a start-up. It is kinda alarming as this pressure to deliver something by the end of the summer something so complex is not necessarily going to help them. The open source community have been trying to develop peer to peer web solutions for ages. There are many reasons why we have not seen a strong distributed social web yet. Some of these reasons are technical, other are social, it&#8217;s not impossible, but also not trivial.</p>
<div id="attachment_594" class="wp-caption aligncenter" style="width: 510px"><a href="http://www.flickr.com/photos/daveblog/2050611763/"><img class="size-full wp-image-594 " title="scratch-itch" src="http://www.mushon.com/wp/wp-content/uploads/2010/05/scratch-itch.jpg" alt="" width="500" height="400" /></a><p class="wp-caption-text">Scratching everybody else&#39;s itch (By Daveblog CC-BY-SA-ND)</p></div>
<p>It is not unlikely that Diaspora would fail to deliver on it&#8217;s promised milestone by the end of the summer. This should not be a big deal for an Open Source project with developers scratching their own itch. But in this case, the Facebook users frustration, Diaspora&#8217;s media attention and the actual $$$,$$$ make this an itch shared by many many more users and <strong>only 4 students are given the scratcher</strong>.</p>
<p>Frankly, as inspiring as this successful Kickstarter campaign is, I do believe they  would&#8217;ve been better with no money at all and no thousands of  &#8220;micro-investors&#8221; waiting for them to deliver. Money changes everything, and firstly this is no longer a campaign supporting the open source community to find a solution together. This is (as a friend mentioned) a high-payed summer internship.</p>
<p>I&#8217;ve always supported the idea of <a href="http://www.mushon.com/2009/05/05/fail-gracefully/">failing gracefully</a>, especially when it comes to open source software. But in this case, a failure would be not only for Diaspora but also for what it stand for &#8211; a distributed, privacy-friendly open alternative (/resistance) to FB and the other exploitative web 2.0 shenanigans. If all this attention is turned to disappointment, Facebook will come out of this winning.</p>
<p>Being a huge <a href="http://hackerne.ws/item?id=1344766">record breaking Kickstarter project</a>, this project has now also become a poster-child for Kickstarter and its inspiring crowdfunding model. If Diaspora fails to meet its promises, it might actually hurt Kickstarter&#8217;s reputation and trust. Open source does not work that way and these guys do mean well but they have yet not published a single line of code.</p>
<h3>Contribute your code, not your $$$,$$$s</h3>
<p>Max, one of the four NYU students was a student of mine, I am familiar with the excitement, enthusiasm and creativity he can bring to the project. There is no way they could see this coming and I know they are pretty overwhelmed right now. They don&#8217;t need more money, but they need a lot more help. The real help Diaspora needs now is guidance, support and code. We at <a href="http://shiftspace.org/">ShiftSpace</a> who&#8217;ve been working on distributed social web for quite some time intend to contribute that to them.</p>
<p>Some initial tips:</p>
<ol>
<li>They should start by a <strong>real deep research</strong> of what&#8217;s already out there, learn from the work on <a href="http://onesocialweb.org/">OneSocialWeb</a>, <a href="http://Status.net">Status.net</a>, <a href="http://diso-project.org/">DiSo</a>, <a href="http://buddypress.org/">BuddyPress</a>, <a href="http://activitystrea.ms/">Activity Streams</a>, <a href="http://couchdb.apache.org/">CouchDB</a>, even <a href="https://wave.google.com/">Google Wave</a> (speaking of an open source project too hyped for its own good). Some of these are already mentioned on their site, but they should really be studied thoroughly. Only doing that might take more than 4 months. Which brings me to #2&#8230;</li>
<li>They should <strong>change their milestone promise ASAP</strong>, as this is not  what they should accomplish in the next 4 months and they should not be  held back by it.</li>
<li>When they do write their own code, they should not wait until the end of the summer to publish their code. They should <strong>release early, release often</strong>.</li>
<li> They should not build this as a monolithic project but <strong>componenatize</strong> it to smaller more general projects that can gather more contributions.</li>
<li>They should not see this as a high-paying 4 months gig, but really <strong>turn Diaspora to a home or an umbrella project</strong> for these various types of efforts.</li>
<li>They need to make sure the AGPL license as rightfully chosen as it is, doesn&#8217;t harm their chances of <strong>integrating other code</strong> and collaborating with other open source licenses. (there are ways to do it)</li>
<li>Maybe even offer a portion of the funding they didn&#8217;t plan to get anyway as a grant to the first team to come up with an open protocol that the developer community would like to gather behind.</li>
</ol>
<p>So start send them code patches, not more $$$,$$$s. And leave your comments here and/or on the <a href="http://lists.nongnu.org/archive/html/social-discuss/2010-04/msg00132.html">GPL Social list</a> where they promised to hang out. And lets try <a href="http://lists.nongnu.org/archive/html/social-discuss/2010-05/msg00031.html">not to overwhelm them</a>, but really make sure this translates to an inspiring moment towards &#8220;a&#8221; (not &#8220;the&#8221;) &#8216;&#8230;privacy aware, personally controlled, do-it-all distributed open source social&#8230;&#8217; web.</p>
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	<creativeCommons:license>http://creativecommons.org/licenses/by-sa/3.0/us/</creativeCommons:license>
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		<title>Engagement is everything, a dialogue</title>
		<link>http://www.mushon.com/2010/05/07/engagement-is-everything/</link>
		<comments>http://www.mushon.com/2010/05/07/engagement-is-everything/#comments</comments>
		<pubDate>Fri, 07 May 2010 12:18:21 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in English]]></category>
		<category><![CDATA[adam greenfield]]></category>
		<category><![CDATA[antagonism]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[dialog]]></category>
		<category><![CDATA[engagement]]></category>
		<category><![CDATA[misunderstanding]]></category>
		<category><![CDATA[social media]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=561</guid>
		<description><![CDATA[Communication breakdown&#8230; It&#8217;s never the same. How I tried to extend my social network to beyond just &#8220;friends&#8221; and came off as a douche bag In my previous post titled &#8220;Relationship: It&#8217;s Complicated&#8221; I was trying to make the point that social media interfaces and terminologies excludes the room for conflict. I came up with [...]]]></description>
			<content:encoded><![CDATA[<h2>Communication breakdown&#8230; It&#8217;s never the same. How I tried to extend my social network to beyond just &#8220;friends&#8221; and came off as a douche bag</h2>
<p>In my previous post titled &#8220;<a href="http://www.mushon.com/2010/04/28/relationship-its-complicated/">Relationship: It&#8217;s Complicated</a>&#8221; I was trying to make the point that social media interfaces and terminologies excludes the room for conflict. I came up with three proposition for intervention, one of them worked or rather took a life of its own much faster than I expected.</p>
<p>I was proposing to use Twitter list to follow not just like-minded people, but also people you often disagree with, as a way of both challenging your point of view and of engaging beyond our networked echo chamber. (read more about it <a href="http://www.mushon.com/2010/04/28/relationship-its-complicated/">on my post</a>)</p>
<p>As I was preparing the post, I made a list of that type for myself, added a few Twitter users that I count as my intellectual/political opponents and named it &#8220;adversaries&#8221;. Just a few hours later, and even before I got to publish my post I noticed this tweet:</p>
<p><!-- http://twitter.com/agpublic/status/12998960292 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon I find my inclusion on that list distasteful and distressing. May it be the only thing I ever have in common with AIPAC &amp; Netanyahu.<span class="timestamp" style="font-size: 12px; display: block;"><a title="Wed Apr 28 10:28:48 " href="http://twitter.com/agpublic/status/12998960292">Wed Apr 28 10:28:48 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet -->Adam Greenfield is a prominent media theorist who&#8217;s best known for writing <a href="http://speedbird.wordpress.com/my-book-everyware-the-dawning-age-of-ubiquitous-computing/">Everyware: The dawning age of ubiquitous computing</a>. I have seen him present more than once, he&#8217;s a really great speaker, I also assign <a href="http://vimeo.com/2436640">a talk by him</a> to my NYU students, throughout the semester it is usually one of the pieces that inspire them the most. Yet after watching him speak or reading him I was often left with a sense that his poetic theory often emphasizes the pros and de-emphasizes the cons. This left me pretty disturbed about what he represents and has won him that place in my adversary list.</p>
<p>With that being said, I did not expect he will see this list. It was not some attempt at teasing him or provoking him. Maybe the way I used the word &#8216;adversary&#8217; was wrong? Maybe it&#8217;s indeed more offensive than I think (note: I am not a native English speaker). I definitely have nothing personal against the guy. I changed the name of the list to &#8216;opposition&#8217; and tweeted back.</p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">Sorry @agpublic, wrong choice of terminology on my part (corrected). I hope you will accept my wish to follow you yet disagree with you<span class="timestamp" style="font-size: 12px; display: block;"><a title="Wed Apr 28 11:45:41 " href="http://twitter.com/mushon/status/13001687210">Wed Apr 28 11:45:41 </a> via web</span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><span id="more-561"></span></p>
<p><!-- http://twitter.com/agpublic/status/13001983440 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon Depends on what the disagreement has to do with, I suppose. I do admire your wish to challenge your own assumptions.<span class="timestamp" style="font-size: 12px; display: block;"><a title="Wed Apr 28 11:53:11 " href="http://twitter.com/agpublic/status/13001983440">Wed Apr 28 11:53:11 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/mushon/status/13003237409 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic just realized we will get the chance to discuss this face to face at #futr. FWIW, I teach you @NYU: <a href="http://bit.ly/9WItnb" target="_new">http://bit.ly/9WItnb</a><span class="timestamp" style="font-size: 12px; display: block;"><a title="Wed Apr 28 12:22:53 " href="http://twitter.com/mushon/status/13003237409">Wed Apr 28 12:22:53 </a> via web</span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13003459672 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon Super!<span class="timestamp" style="font-size: 12px; display: block;"><a title="Wed Apr 28 12:27:58 " href="http://twitter.com/agpublic/status/13003459672">Wed Apr 28 12:27:58 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>I will indeed meet Adam at the <a href="http://www.futureeverything.org/">Future Everything festival</a> next week. At that point I managed to finally post on my blog with some context about the list and why I made it, so I tweeted Adam about it:</p>
<p><!-- http://twitter.com/mushon/status/13045053656 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">Hey @agpublic here&#8217;s some context for our antagonistic exchange earlier today &#8211; Relationship: It&#8217;s Complicated <a href="http://bit.ly/friending-me" target="_new">http://bit.ly/friending-me</a><span class="timestamp" style="font-size: 12px; display: block;"><a title="Thu Apr 29 02:42:23 " href="http://twitter.com/mushon/status/13045053656">Thu Apr 29 02:42:23 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13055651939 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon That was antagonistic?<span class="timestamp" style="font-size: 12px; display: block;"><a title="Thu Apr 29 07:06:21 " href="http://twitter.com/agpublic/status/13055651939">Thu Apr 29 07:06:21 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>Oops&#8230; Did I just use the wrong word again?</p>
<p><!-- http://twitter.com/mushon/status/13064765859 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic not antagonistic but in your words &#8220;distasteful and distressing&#8221;. Need more antagonism in social media as I write in my blogpost<span class="timestamp" style="font-size: 12px; display: block;"><a title="Thu Apr 29 12:04:00 " href="http://twitter.com/mushon/status/13064765859">Thu Apr 29 12:04:00 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13066526589 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon But I obviously agree with that, and always have! Now I&#8217;m really not sure why you&#8217;ve lumped me in with your intellectual opponents.<span class="timestamp" style="font-size: 12px; display: block;"><a title="Thu Apr 29 12:45:59 " href="http://twitter.com/agpublic/status/13066526589">Thu Apr 29 12:45:59 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>Yeah, I can see how from Adam&#8217;s perspective I was being quite a douche, picking on him for no reason.</p>
<p>I had lunch with my studio partner and very good friend Amit Pitaru, a media artist and a very smart guy. Amit and I sure share an affinity for conflict, and there&#8217;s nothing we like better than arguing over lunch (it helps digestion) (maybe). I can always count on Amit to play devil&#8217;s advocate and challenge whatever opinion I might be holding. Which he did.</p>
<p>Amit&#8217;s hit the nail on it&#8217;s head. He argued that while I was critiquing Facebook for its reductive interaction centered around &#8220;friendship&#8221; my proposed alternative was doing exactly the same. By naming my enemies/adversaries/opposition I was creating a complete mirror to Facebook&#8217;s friends. A mirror that did not oppose but reflect the exact same reductive representation of relationship.</p>
<p>Adam Greenfield is not my adversary, and even if we have differences of styles in the way we discuss media issues, we are far from being the complete opposites either. I had to start by at least engaging Adam on what I was actually bothered by and why I (unintentionally) picked on him in the first place.</p>
<p><!-- http://twitter.com/mushon/status/13159678752 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic my main beef is abt under-representation of privacy concerns in your truely inspiring writing/speaking abt the internet of things<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 00:40:22 " href="http://twitter.com/mushon/status/13159678752">Sat May 01 00:40:22 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13192184007 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon Hmm. But you&#8217;ve read &#8220;Everyware,&#8221; so surely you know that privacy is one of my preoccupying concerns&#8230;<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 14:57:12 " href="http://twitter.com/agpublic/status/13192184007">Sat May 01 14:57:12 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/mushon/status/13202234544 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic I know, but I feel in the privacy vs. convenience you advocate for the latter. And that&#8217;s something I&#8217;m &#8220;inconvenient&#8221; with&#8230;<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 18:29:31 " href="http://twitter.com/mushon/status/13202234544">Sat May 01 18:29:31 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13206276032 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon Forgive me, then, because I feel you haven&#8217;t understood me very well. I have always argued against the discourse of convenience.<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 20:10:00 " href="http://twitter.com/agpublic/status/13206276032">Sat May 01 20:10:00 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/mushon/status/13206488752 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic maybe I should ask forgiveness, as I am the one who missed this emphasis in yr talks. pls pls refer me to vid doc of that if u can<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 20:15:27 " href="http://twitter.com/mushon/status/13206488752">Sat May 01 20:15:27 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13207072186 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon No idea, I don&#8217;t watch my own videos. It&#8217;s in every single thing I&#8217;ve ever written, though, starting with  &#8220;All watched over&#8230;&#8221;<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 20:30:32 " href="http://twitter.com/agpublic/status/13207072186">Sat May 01 20:30:32 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/mushon/status/13207491377 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic Link?<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sat May 01 20:41:21 " href="http://twitter.com/mushon/status/13207491377">Sat May 01 20:41:21 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>I Found the link myself.</p>
<p><!-- http://twitter.com/mushon/status/13227698598 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic I stand corrected <a href="http://bit.ly/aOr5eq" target="_new">http://bit.ly/aOr5eq</a> = important piece. 6 yrs ago u advocated 5 pro-human-user ubicomp principles. Did it work?<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sun May 02 04:28:25 " href="http://twitter.com/mushon/status/13227698598">Sun May 02 04:28:25 </a> via <a rel="nofollow" href="http://twitterrific.com">Twitterrific</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/agpublic/status/13234191336 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@mushon Not that I can see &#8211; but that&#8217;s no excuse for mischaracterizing my clear and obvious intent in framing them.<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sun May 02 07:25:33 " href="http://twitter.com/agpublic/status/13234191336">Sun May 02 07:25:33 </a> via <a rel="nofollow" href="http://www.tweetdeck.com">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p><!-- http://twitter.com/mushon/status/13246308970 --></p>
<div class="bbpBox" style="background: url(http://a1.twimg.com/profile_background_images/13405796/HP_shual_newgifs_mast_ok.gif) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">@agpublic 4 that I indd appologize! I hope though that beyond distress this will offer some sincere feedback 4 how you might be mispercieved<span class="timestamp" style="font-size: 12px; display: block;"><a title="Sun May 02 13:46:13 " href="http://twitter.com/mushon/status/13246308970">Sun May 02 13:46:13 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/mushon"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/362987193/Mushon_facecrop-g_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/mushon">mushon</a></strong><br />
mushon</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>That&#8217;s basically where our conversation ended. I moved Adam to a new Twitter list with a more ambiguous and (I hope)  respectful name &#8220;Provoke-Me&#8221;.</p>
<p>Two days after Adam posted this:</p>
<p><!-- http://twitter.com/agpublic/status/13355973895 --></p>
<div class="bbpBox" style="background: url(http://a3.twimg.com/profile_background_images/6518973/b2707.jpg) #ACDED6; padding: 20px;">
<p class="bbpTweet" style="background: #fff; padding: 10px 12px 10px 12px; margin: 0; min-height: 48px; color: #000; font-size: 18px !important; line-height: 22px; -webkit-border-radius: 5px;">A Very Special Message from me, @agpublic: <a href="http://bit.ly/bqxuC4" target="_new">http://bit.ly/bqxuC4</a><span class="timestamp" style="font-size: 12px; display: block;"><a title="Tue May 04 09:22:32 " href="http://twitter.com/agpublic/status/13355973895">Tue May 04 09:22:32 </a> via <a rel="nofollow" href="http://www.tweetdeck.com/">TweetDeck</a></span><span class="metadata" style="display: block; width: 100%; clear: both; margin-top: 8px; padding-top: 12px; height: 40px; border-top: 1px solid #e6e6e6;"><span class="author" style="line-height: 19px;"><a href="http://twitter.com/agpublic"><img style="float: left; margin: 0pt 7px 0pt 0px; width: 38px; height: 38px;" src="http://a3.twimg.com/profile_images/106335405/ag_presskit_01_normal.jpg" alt="" /></a><strong><a href="http://twitter.com/agpublic">Adam Greenfield</a></strong><br />
agpublic</span></span></p>
</div>
<p><!-- end of tweet --></p>
<p>Adam&#8217;s post, titled &#8220;<a href="http://speedbird.wordpress.com/2010/05/04/dont-get-me-wrong/">Don&#8217;t Get Me Wrong</a>&#8221; (hmmm&#8230; I wonder who he meant&#8230;) is emphasizing his critique of these ubiquitous technologies and the failures of design. He seems to have taken to heart at least some of my critique, as un-elegant as it might have been. Here&#8217;s a quote from Adam&#8217;s post (though you do want to <a href="http://speedbird.wordpress.com/2010/05/04/dont-get-me-wrong/">read all of it</a>):</p>
<blockquote><p>Networked urbanism, read/write urbanism, open-source urbanism…sure,  these things are in their infancy. But if the whole domain retains some  plasticity, it’s also beginning to be shaped by parties motivated solely  by their own interests, and absolutely not by any larger affinity for  urban life and its benisons. To be blunt, I don’t want the IBMs and  Ciscos and Microsofts of the world defining what networked urbanism can  be for me…or, forgive my presumption, what it can be for you, either.</p>
<p>I still believe, as Howard Rheingold used to say, that “what it is…is  up to us.” But <em>only</em> if we’re willing to get our hands dirty,  challenge ourselves, and pursue insight even if it originates from  outside our comfort zone. It’s what I’ve been trying to do myself, these  last twelve years or so, and it would be particularly gratifying if you  interpreted my efforts here in this light.</p></blockquote>
<p>To that I commented:</p>
<blockquote>
<div>
<p>Well articulated and emphasized point. This cautious tone can  often go unnoticed as there is so much excitement and new possibilities  these technologies bring into our urban life. Together with the 2.0 3.0  4.0… culture there’s an eager lust to always jump to the next thing, to  celebrate novelty (even in the price of intimacy), to mark the networked  territory by being the first to share (even in the price of our  disappearing privacy).</p>
<p>Adam, your inspiring work has become a symbol for the networked city.  Often, the excitement it brings blinds our eyes to the more nuanced  and often less exciting critique and warnings that you try to emphasize.  I know it did that for me. I have possibly unjustly labeled you with the  enthusiasts as I was more receptive to your enthusiasm than to your  critique.</p>
<p>As our attention spans shorten and our tools become less sensitive to  the complexities of human relationship (benefiting technological  simplicity, immediacy, publicity and profit) we need to be more careful  about how networked words, actions and intentions are interpreted. We  might be often misunderstood, and we most definitely too often  misunderstand. It’s about extending our read/write media literacy.</p>
<p>I know I often get these things wrong. For that I apologize  (blogpost to follow)</p>
</div>
</blockquote>
<p>And Adam replied:</p>
<blockquote><p>No apology necessary! Engagement is everything.</p></blockquote>
<p>And I think it is. Engagement is everything. Yet it feels so foreign to this happy-happy joy-joy environment of social media. That&#8217;s why Adam interpreted his inclusion on that list as a rude provocation, that&#8217;s why I felt so bad about it too.</p>
<p>If we were having this discussion face to face we could have balanced the argument with respect and trust &#8211; just like Amit and I did over lunch. Online we don&#8217;t have that luxury so instead of risking the misunderstanding, we just don&#8217;t engage, or we hide behind a disposable pseudonym.</p>
<p>When we do engage using our names, we do it in the form of a &#8220;friend request&#8221; which is basically as misunderstood as my awkward &#8220;foe statement&#8221; but it is not as contested.</p>
<p>I found my exchange with Adam very inspiring, but I am still a bit confused. How can we use social media to actively engage in opposition and not come off as douche bags? Any ideas?</p>
]]></content:encoded>
			<wfw:commentRss>http://www.mushon.com/2010/05/07/engagement-is-everything/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	<creativeCommons:license>http://creativecommons.org/licenses/by-sa/3.0/us/</creativeCommons:license>
	</item>
		<item>
		<title>Relationship: It&#8217;s Complicated</title>
		<link>http://www.mushon.com/2010/04/28/relationship-its-complicated/</link>
		<comments>http://www.mushon.com/2010/04/28/relationship-its-complicated/#comments</comments>
		<pubDate>Thu, 29 Apr 2010 00:02:23 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
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		<category><![CDATA[privacy]]></category>
		<category><![CDATA[scaling subjectivity]]></category>
		<category><![CDATA[social life]]></category>
		<category><![CDATA[social media]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=514</guid>
		<description><![CDATA[Ignoring my grandma… friending my enemies… WTF? Is it even reasonable to expect social media to reflect the depth our social life? And when it fails, what do we stand to lose? (+ tips &#38; hacks) I have recently become more interested in the &#8220;It&#8217;s Complicated&#8221; option in Facebook&#8217;s relationship status. It has hit me [...]]]></description>
			<content:encoded><![CDATA[<h2>Ignoring my grandma… friending my enemies… WTF? Is it even reasonable to expect social media to reflect the depth our social life? And when it fails, what do we stand to lose? (+ tips &amp; hacks)</h2>
<div id="attachment_516" class="wp-caption aligncenter" style="width: 522px"><img class="size-full wp-image-516 " title="relationship_its-complicated" src="http://www.mushon.com/wp/wp-content/uploads/2010/04/relationship_its-complicated.png" alt="" width="512" height="240" /><p class="wp-caption-text">Facebook, in a rare instance of honesty</p></div>
<p>I have recently become more interested in  the &#8220;It&#8217;s Complicated&#8221; option in Facebook&#8217;s relationship status. It has hit me that it might be the most honest aspect of the site&#8217;s interface. While every third internet user on earth holds a Facebook* profile, none of the site&#8217;s users are getting an adequate representation of their social life. This is not due to some broken code or an untested interaction design. <strong>No, it&#8217;s actually our fault.</strong></p>
<p>*Facebook, is a great case-study for these questions, but they can be asked about many of the social media tools we use these days (Buzz is definitely also relevant, though <a href="http://www.mushon.com/2010/02/17/buzzoff-10-reasons-to-turn-google-buzz-off/" target="_blank">we don&#8217;t use it</a>).</p>
<h3>Why should it be so, hmmm&#8230; &#8220;complicated&#8221;?</h3>
<p>Why should it be so complicated? We are already busy defining our social life anyway, we are in fact putting relationships into boxes all the time. Some people we call friends, others we call family, others are our group members, others we might admire and define ourselves as their fans. Many of the people you would like to associate yourself with would probably fall somewhere along these lines. In that sense what&#8217;s so wrong about Facebook giving us a tool to manage and present this?</p>
<h3>Sign here, here and here, now we&#8217;re friends.</h3>
<p>The only relationship I have ever signed into an official contract, is the one with <a href="http://galiaoffri.com/" target="_blank">my wife, Galia</a>. Many of our friends chose to skip marriage as they didn&#8217;t feel a need for a bureaucratic intervention into their personal relationship. Yet the same friends and even non-friends send me contracts every day requesting to officially confirm our relationship. Indeed getting a &#8220;friend request&#8221; is a very awkward thing.<span id="more-514"></span> It is just like being sent a contract requiring both sides to declare their relationship to the world (and indeed this friend information in Facebook is <a href="http://mashable.com/2010/04/21/open-graph-privacy/" target="_blank">extremely public</a>). Log in&#8230; confirm here&#8230; confirm here&#8230; confirm here&#8230; These &#8220;social&#8221; transactions are as official, controlled and mathematical as any of your credit card transaction (only less private).</p>
<p>That is not the way relationship works. It is not an on/off thing, it changes and it is reshaped. It cannot even be placed on a single continuum, it is multidimensional and is very, very hard to quantify.</p>
<h3>@Heart, please alert me when a relationship changes, ok?</h3>
<p>Using an  interface to manage your social life requires us to externalize emotions, express them, and constantly update them. It is very different from the way we manage other information online. We converse through emails and comments, collaborate on documents&#8230; Always responding to an external social stimulus from our peers to update the social object &#8211; the conversation, the document. It&#8217;s all relational.</p>
<p>There is no social object in social networks other than your profile &#8211; the mask that would never quite fit your face. It sits there, for everyone to see, blocking your sight, constantly out-of-date, constantly challenging you. Unless the Fecebook engineers come up with a way for our hearts to plug directly to their system, we would always play catch up with our profiles.</p>
<p>It is <span style="text-decoration: line-through;">hard</span> impossible to constantly be ahead of ourselves, but even if we could, can we truly express our subjective emotions through one objective interface? On Facebook, friendships are forever, and so are breakups. We cannot be less friends, it&#8217;s a black and white thing. There are no best-friends or just acquaintances &#8211; you&#8217;re either a friend or you&#8217;re nobody. But even if I could define social proximity or &#8220;rate my friends&#8221; as some third-party Facebook applications invite me to, why should I? This is hard work, it does not really represent my social life and it just becomes more broken interfaces that are always out of date.</p>
<p>Finally, this online mask is not the emotion itself, it is an expression of it, and therefore it is a social act to be performed. I win points for performing friendship and I lose points for ignoring or worse &#8220;unfriending&#8221;.</p>
<h3>Friend requests: the daily dose of guilt</h3>
<div id="attachment_521" class="wp-caption aligncenter" style="width: 538px"><img class="size-full wp-image-521 " title="do-we-know-each-other" src="http://www.mushon.com/wp/wp-content/uploads/2010/04/do-we-know-each-other.png" alt="" width="528" height="89" /><p class="wp-caption-text">Confirm? Or live with the guilt?</p></div>
<p>After using Facebook for a while most of the friend requests I get are by people I hardly know/forgot/don&#8217;t know. Every time that happens I mainly feel guilty. Maybe it&#8217;s an ex-student from 8 years ago, or someone I met in a conference or a colleague or just someone nice that wants to be my friend. How would I ever know? So I check their friends, and sometimes it helps but often they are friends of friends of friends that I have accepted because it was easier than facing the guilt.</p>
<p>So I just click the recommended blue &#8220;confirm&#8221; button and avoid the grey &#8220;ignore&#8221; button. <strong>And that&#8217;s how my Facebook has lost any social relevance.</strong> My feed is full of updates from people I don&#8217;t know. These people invite me to events that I am geography prevented from attending, they suggest I become a friend of their other friend that I don&#8217;t know or that I should become a fan of the company, organization, person or cartoon figure that I don&#8217;t know or don&#8217;t care about. And that&#8217;s a real shame because all this noise makes me miss or ignore my friends conversations and events. Facebook used to be useful, but I was too coward to hit the &#8220;ignore&#8221; button.</p>
<p>When I break and chose to &#8220;ignore&#8221; I am consumed by guilt. What have I become? Am I a snob? These are people who want to be my friends, how dare I refuse something as friendly as a friend request?</p>
<h3>How I &#8220;ignored&#8221; grandma</h3>
<div id="attachment_547" class="wp-caption alignleft" style="width: 192px"><a href="http://www.mushon.com/wp/wp-content/uploads/2010/04/chana-levy.png"><img class="size-full wp-image-547  " title="chana-levy" src="http://www.mushon.com/wp/wp-content/uploads/2010/04/chana-levy.png" alt="" width="182" height="361" /></a><p class="wp-caption-text">I am sorry grandma, but I don&#39;t think it will work out. -ignore-</p></div>
<p>I love my grandma, and I love the fact that she&#8217;s using the internet, especially since we live almost 10,000km away from each other. I have her on Skype and we chat from time to time. I must say these Skype conversations probably provide us more intimacy than we used to have face to face. It&#8217;s really great. But then one day I got a Facebook alert: &#8220;Chana Levy wants to be friends on Facebook&#8221;.</p>
<p>Here are a couple more things about my grandma, she is in her late 70s, and like all my mother&#8217;s side of the family she is identifying politically with the Israeli religious right. If you read this blog long enough you would know that my political views definitely lean to the other side, and that I do have a need to express them. And I indeed express these views on my blog, on Twitter and on Facebook, and I try to engage in honest exchange about them.</p>
<p>But not with grandma. That&#8217;s just not the kind of relationship we have. She is not about to change her views and I respect that, so I don&#8217;t try. She is aware of my political views and loves me despite of them. If we do discuss politics on Skype it is very carefully, and very briefly, then I tell her about Galia, the cat, my job and about planning to return to Israel.</p>
<p>It is really hard to keep secrets on Facebook, and it is not like I am  trying to hide anything (though if I was gay I would have definitely  wanted anyone but my grandma to know that). It is about intimacy, an intimacy that changes from one person to another and cannot be configured in numbers and options.</p>
<p>So why should I confirm my grandma&#8217;s friend request? Or worse, why should I be required to &#8220;ignore&#8221; her?</p>
<p>I did &#8220;ignore&#8221; her. I still feel bad about it.</p>
<h3>What about my enemies?</h3>
<p>The small crowd of actual &#8220;friends&#8221; that I could still recognize on Facebook mostly fitted the type of  intimacy that I would like to converse with. Or so I thought&#8230; Until one day someone commented with a pretty aggressive tone to one of my political status updates. Unsurprisingly, I had absolutely no idea who the guy was or since when are we &#8220;friends&#8221;. A quick lookup at our mutual friends drew the connection, we probably met in some tech conference, so there really should not be any reason we would really have much in common.</p>
<div id="attachment_529" class="wp-caption alignright" style="width: 296px"><img class="size-full wp-image-529 " title="fb-discussion" src="http://www.mushon.com/wp/wp-content/uploads/2010/04/fb-discussion1.png" alt="" width="286" height="409" /><p class="wp-caption-text">One of my exchanges with my FB &quot;frienemy&quot;</p></div>
<p>I started noticing more and more of his status updates, with their recurring offensive mentions of &#8220;Barak <em><span style="text-decoration: underline;"><strong>Hussein</strong></span></em> Obama&#8221;, outrageous incrimination of Israeli and international human rights organizations and constant justifications of for settler and army violence against Palestinians. After the second time he posted an aggressive comment on one of my status updates I decided that that&#8217;s it! we&#8217;re not friends and we never were. <strong>I am going to &#8220;Unfriend&#8221; him!</strong></p>
<p>Just before I hit the &#8220;unfriend&#8221; button and relieved myself of his offensive online presence, I was reminded of Cass Sunstein&#8217;s critique in <a href="http://books.google.com/books/p/princeton?id=XmM6WSLsdS8C&amp;source=gbs_navlinks_s" target="_blank">Republic.com 2.0</a>. His main critique in that book is that the hyper-personal information filtering that makes the likes of Google News and Facebook so great is endangering our public sphere and our democracies by creating echo chambers and information cocoons in which we are only confronted with like-minded people. Sunstein claims the actual effect of these environments are further group polarization, in which as long as members in the group are not confronted with views opposite to their own, a group of like-minded peers will quickly be following the more vocal voices and become more extreme.</p>
<p><strong>Someone has invaded my cozy echo-chamber&#8230; How dare I block him away?</strong> I decided not to &#8220;unfriend&#8221; him. I actually respond to his status updates from time to time. I feel that engaging him helps me improve my own arguments much more than the easy leeway I get from my like-minded friends. It also teaches me how he constructs his arguments and builds his rational. I find this extremely important, even if I would never manage to convince him.</p>
<p>This relationship is possible despite Facebook, not thanks to it. Other than some interest in Technology and the same nationality we don&#8217;t  have much in common so we&#8217;re not really friends, we are actually very far from that. We are classic political rivals, with a huge gap between us. The fact I have only one contact of this kind is really ridiculous.</p>
<h3>Friend, yes/no, confirm/ignore, so what? It&#8217;s all fun&#8230; right?</h3>
<p>You might say: so what&#8217;s the big deal? You don&#8217;t like Facebook, don&#8217;t be on Facebook&#8230;</p>
<p>Well, I think Facebook is actually pretty useful for managing events. It can also be a good way of sharing online content. Others find other uses for it. Plus it&#8217;s not really going away soon. But it is not only Facebook&#8217;s efficiency that is at stake here.</p>
<p>To make better use of these simplistic tools we end up simplifying our social life. To make up for the inadequate privacy features we give it up all together. To make up for the lack of intimacy we stick to non-committing general communication. Since there&#8217;s no room for antagonism, we stick to our groups of like-minded individuals.</p>
<p>It is not &#8220;just cyberspace&#8221;, online interaction matters. Time spent on Facebook is <a href="http://www.thebigmoney.com/blogs/facebook-status/2010/02/17/average-user-spent-seven-hours-facebook-january" target="_blank">constantly  soaring</a>, a lot of our social life <strong>*is*</strong> online, but it is crippled and we should realize it is.</p>
<h3>//End rant: We are &#8220;Friends&#8221; no more! (Tips &amp; Hacks)</h3>
<p>End rant. So complaining about what&#8217;s wrong is easy, and we have already established there&#8217;s not much sense blaming the technology for not accomplishing this impossible task. So what is there to be done?</p>
<p>Recently I have found that a lot of the conflicts and challenges around culture and technology revolve around an attempt at <strong>scaling subjectivity</strong>. That is also the case with Facebook, how can we get <a href="http://www.facebook.com/press/info.php?statistics" target="_blank">more than 450 million users&#8217;</a> subjective social life on one unifying objective platform. I am not sure this is a task that can really be solved, but I do intend to start writing about it soon (stay tuned).</p>
<p>There&#8217;s a lot that can be done, I would suggest the place to start would be in changing norms and terminology:</p>
<ol>
<li>I hereby declare none of my Facebook friends as &#8220;friends&#8221;. From now on they will be known as &#8220;contacts&#8221;.<br />
I hereby declare I didn&#8217;t &#8220;ignore&#8221; my grandma. I simply &#8220;skipped&#8221; the option of connecting with her on Facebook.<br />
This is not just an arbitrary statement. I actually modified <a href="http://userscripts.org/scripts/review/41369" target="_blank">Joe Simons Greasemonkey hack</a> to make sure that as soon as my Facebook page loads all appearances of the word &#8220;friend&#8221; will be changed to &#8220;contact&#8221;. You can get the <a href="http://mushon.com/wp/wp-content/uploads/2010/04/dontFriendMe.user.js">userscript here</a>. (requires the <a href="http://www.firefox.com" target="_blank">Firefox</a> browser &amp; the <a href="https://addons.mozilla.org/en-US/firefox/addon/748">Greasemonkey</a> plugin)</p>
<p><div id="attachment_552" class="wp-caption aligncenter" style="width: 443px"><a href="http://www.mushon.com/wp/wp-content/uploads/2010/04/dontFriendMe.user.js"><img class="size-full wp-image-552 " title="contact-requests" src="http://www.mushon.com/wp/wp-content/uploads/2010/04/contact-requests.png" alt="" width="433" height="86" /></a><p class="wp-caption-text">Download: Don&#39;t &quot;Friend&quot; Me (literally) - a social hack!</p></div></li>
<li>I hereby declare that any obscure &#8220;contact&#8221; request I get from now on will be kindly forwarded to this post. You can do the same, here&#8217;s a &#8220;short&#8221; url:<br />
<a href="http://bit.ly/friending-me">http://bit.ly/friending-me</a><br />
(<a href="http://twitter.com/?status=Relationship%3A%20It's%20complicated%20http%3A%2F%2Fbit.ly%2Ffriending-me%20Ignoring%20my%20grandma%E2%80%A6%20friending%20my%20enemies%E2%80%A6%20WTF%3F%20(rants%26hacks%20by%20%40mushon)%20%23facebook" target="_blank">You can Tweet it too!</a>)</li>
<li>To allow my echo-chamber to be further invaded I have started a Twitter* (<span style="text-decoration: line-through;">@mushon/opposition</span>*) list of people I often disagree with on a political, ideological, philosophical, whatever level. It&#8217;s just a start and it&#8217;s not easy, I am sure it will soon be extended. I encourage you to do the same and maybe post a link to your Twitter list on the comments I would love to follow some of your opposition myself. (the enemy of my enemy is my <span style="text-decoration: line-through;">friend</span> contact)<br />
<strong>*EDIT (May 7, 2010):</strong> This list is now deleted. The idea has spiraled off a pretty unexpected/confusing/inspiring exchange between Adam Greenfield and myself, read about it on my following post: <a href="http://www.mushon.com/2010/05/07/engagement-is-everything/">Engagement is Everything, a dialogue</a></li>
<li>More suggestions are welcomed (please comment / trackback)</li>
</ol>
<p>*Speaking of Twitter, I think the term &#8220;following&#8221; is pretty straight forward. I also find its asymmetrical relationships more appealing.</p>
<h3>Stan, poke your grandma!</h3>
<p>I would leave you with <a href="http://www.southparkstudios.com/clips/269228" target="_blank">a segment</a> of this <a href="http://www.southparkstudios.com/episodes/267112" target="_blank">brilliant South Park Episode</a>:</p>
<p style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="480" height="400" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="bgcolor" value="#000000" /><param name="flashvars" value="autoPlay=false&amp;dist=www.southparkstudios.com&amp;orig=" /><param name="src" value="http://media.mtvnservices.com/mgid:cms:item:southparkstudios.com:269228" /><param name="wmode" value="window" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="480" height="400" src="http://media.mtvnservices.com/mgid:cms:item:southparkstudios.com:269228" allowfullscreen="true" wmode="window" flashvars="autoPlay=false&amp;dist=www.southparkstudios.com&amp;orig=" bgcolor="#000000"></embed></object></p>
<p>And please, if you enjoyed this don&#8217;t &#8220;friend&#8221; me on Facebook, but <a href="http://twitter.com/mushon" target="_blank">you can definitely follow me on Twitter</a>.</p>
]]></content:encoded>
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		<title>Interface as a Conflict of Ideologies</title>
		<link>http://www.mushon.com/2010/03/23/interface-as-a-conflict-of-ideologies/</link>
		<comments>http://www.mushon.com/2010/03/23/interface-as-a-conflict-of-ideologies/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 13:55:00 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
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		<guid isPermaLink="false">http://www.mushon.com/?p=183</guid>
		<description><![CDATA[Originally written in April 2007. Minor edits: March 2010. Preface In the past 50 years the digital user-interface has become a major field of cultural production, since the innovations of Douglas Engelbart in the sixties (mouse/keyboard/video-screen) through the personal computer revolution in the eighties to the rise of the World Wide Web in the nineties [...]]]></description>
			<content:encoded><![CDATA[<p>Originally written in April 2007. Minor edits: March 2010.</p>
<h3>Preface</h3>
<p>In the past 50 years the digital user-interface has become a major  field of cultural production, since the innovations of Douglas Engelbart  in the sixties (mouse/keyboard/video-screen) through the personal  computer revolution in the eighties to the rise of the World Wide Web in  the nineties and the wider trends for social web applications since the  turn of the century. Producers of hardware and software systems have  been attempting to develop interfaces that will direct the users to  produce the interaction desired by the system they represent.</p>
<p>Discussions about interface design have been constantly revolving  around the axis of experience and usability, presented sometimes in  contradiction and sometimes as complimentary assets of ‘good interface  design’. As a tool the success of interface is defined by its ability to  generate the desired interaction on behalf of the user and have the  user understand and act by the set of rules that the system defined.</p>
<p>It is important to mention though, interfaces have existed for a long  time before the personal or the institutional (academy/military)  computer. Actually, they have been around longer than culture or  man-made tools have. Yet the rapid development and consumption of  interfaces have made this an important and influential part of  contemporary culture.</p>
<p>Interface is defined as a point of interconnection between two  independent systems. This definition sheds a different light on the way  we have learned to know the interfaces around us. If the sides  interacting through the interface are to be two independent systems,  then one would expect interface itself to maintain that balance and not  favor one system over the other. This essay would address the question  of control and agency embedded within interfaces and attempt to find  where is interface situated within the map of power. It would also use  several examples and attempt to propose tactical and strategic  approaches to act within this conflict.<br />
<span id="more-183"></span></p>
<h3>Encoded/Decoded</h3>
<p>One of the first fundamental interfaces we all use is language.  Semiotics is occupied with questions of interface down to the level of  the building blocks of meaning. In that level interface is both what  differentiate symbols as independent units and is ‘the glue’ that  connects them into new units.</p>
<p>Linguist Tania Reinhart explored the low-level interface between  syntax and systems of sound. She researched the counter influences of  context and meaning and the role of the linguistic interfaces on  multiple levels of language. Her work is very influential on the margins  of human and computer languages. Reinhart’s work investigated both the  interface between the low level symbols and the very high level of media  theory where information (and disinformation) lays on the interface  between context and meaning.</p>
<p>Researchers working in the intersection of Computer Science and  linguistics try to analyze processes both in human and in computer  systems. In the highest level we can find the computer-human-interface –  a point in which the two differentiate both as independent systems and  as a new constructed unit. This requires us to question both the  interface and the nature of the new unit it constructs.</p>
<p>The oral communication circuit as defined by Ferdinande De Saussure  involved a symmetrical feedback loop: message expressed through speech  from Alice&#8217;s mouth and received through Bob&#8217;s listening ears. Then  again, a feedback loop occurs when Bob constructs a new message, express  it through speech to be received by Alice. This communication circuit  depends on equal sharing and use of the interface, in this case – spoken  language.</p>
<p>British Sociologist and cultural theorist Stuart Hall rejected this  model of what he called ‘textual determinism’ and suggested that the  code used by Alice to encode a concept into an oral message is not  necessarily the same code used by Bob to decode the heard message into a  concept. In an essay from 1980 titled ‘Encoding/Decoding’ he suggests  that rather than being a passive action of receiving, the recipient of  the message is actively involved in the communication circuit and  decodes the message into a concept. The use of code in the communication  circuit will be key for examining questions of interface.</p>
<p>We have established that language is a communication interface for  sending and receiving messages, but it involves other cognitive  interfaces which are the codes responsible for encoding and decoding the  messages and concepts. While language should be shared for the  Saussureian circuit to maintain itself, the codes used for encoding and decoding can  be and often are different.</p>
<p>Mass media communicates not only the message but the recommended code  to decode it with. Here is an example:</p>
<p><strong>Sender’s concept:</strong> Buy Nike products.</p>
<p><strong>Sender’s encoding:</strong> Nike stands for the free spirit of sport.  Rather than only fashion, Nike products embody sports itself and the  athletics abilities it stands for are at the core of the American dream.</p>
<p><strong>The program / (meaningful) discourse:</strong> A clean and aesthetic TV ad showing Michael Jordan in an empty basketball court shooting hoops  and slam-dunks in slow motion with only the sound of his shoes  squeaking on the floor. Nike’s logo appears at the last 3 seconds of the  ad.</p>
<p>Up to this moment the sender has complete control over the message.  The sender hopes for the receivers not only to receive the message but  to actually identify with the proposed identity and to adopt it as their  own. Indeed, adopting the suggested identification model would lead to  decoding the message with the original code encoded into it and would  get the desired message across. This is what Hall calls the <strong>Dominant  Code</strong>. In a case like this the receiver can be expected to continue  the process in this fashion:</p>
<p><strong>Receiver’s decoding:</strong> Nike stands for everything I believe in &#8211;  the free spirit of sport, creativity, the love of the game, athletic  excellence and the American dream.</p>
<p><strong>Receiver’s (produced) message:</strong> Nike is a brand for me, I  should buy their products.</p>
<p>According to Hall another option for decoding proposed is the <strong>Negotiated  Code</strong>. It means the receivers understand the message and the  encoding process, they do not dismiss it all together but do not  automatically buy into it either. In this case the circuit might  continue like this:</p>
<p><strong>Receiver’s decoding:</strong> Nike have a fancy ad, it sure is  aesthetic. I guess they have a new line of shoes as well. I like sports  but that has nothing to do with my taste in fashion.</p>
<p><strong>Receiver’s (produced) message:</strong> At the end of the day, I  wouldn’t mind buying their shoes, Nike are as good as the next brand,  when I do need to make this decision I will choose shoes based on my own  reasons, not because I like the Chicago Bulls.</p>
<p>The third code would be the <strong>Oppositional Code</strong>. The receiver  understands the content of the message and the code it is embedded with,  but chooses to dismiss that code all together and use another code to  decode the message in opposition to the initial intent of the sender:</p>
<p><strong>Receiver’s decoding:</strong> Nike attempt to buy me with Michael  Jordan, his Slam-Dunk and the American dream, while all I see are  sweatshops and labor exploitation of the worst kind.</p>
<p><strong>Receiver’s (produced) message:</strong> I will never buy any Nike  product, I might even consider switching to the side of the Lakers.</p>
<p>These three interpretations of the same encoded message reveal the  complexity of the communication circuit. Saussure spoke of oral  communication which creates a symmetrical circuit of interaction, Hall  spoke of mass media and specifically television, a unidirectional  medium. The communication interface is crucial in the process of  encoding and decoding – it is the structure that formalizes the message  and defines the nature of the communicated relationship. Yet in both speech and television interface is invisible  to us, it has very explicit rules and we are aware of its abilities and  disabilities. When in oral dialog mode, we expect to be given the chance  to speak back and use the same interface for discussion as our  correspondent use, we are expecting a symmetrical one-to-one  relationship. With Television we are expecting a one-to-many  asymmetrical relationship – we consume the audio-visual televised  message without expecting any response from us. We can always switch to  another channel, still that would not directly change the message of the broadcaster, rather switch the broadcaster  itself.</p>
<h3>The Web’s Communication Diagram</h3>
<p>Language is a common interface, television is not. We do not respond  to the television since it does not provide an input interface to us.  The internet is a many-to-many platform which through formalized  interfaces allows different types of communication. We have the  one-to-one communication diagram of a video-chat or a networked Chess  game, the many-to-many diagram of chat rooms and IRC channels, but what  would be the case of the web?</p>
<p>The web is celebrated for dramatically lowering the threshold for  publishing with new creative platforms and accessible interfaces  potentially turning any user into a media producers. The relatively low  prices of hosting, the simplicity and flexibility of HTML and the  interconnectivity model of the hyperlink have made the web a  revolutionary tool for gaining ownership of media.</p>
<p>The web contains interfaces that allow for one-to-one, many-to-many  or one-to-many unidirectional or bidirectional interactions. This  multiplicity complicates the web’s communication diagram. In this case  again the key to exposing the diagram is the question of identity. In  both the oral dialog’s symmetrical one-to-one dialogue diagram and the  television’s one-to-many broadcast diagram, the identity of the  communicating systems is defined and so is their role in the  communication circuit. In the case of the web this identity is a bit  harder to distinguish. Let’s try to look at a few examples.</p>
<p>Even today with the with the ubiquity of commentaries on blog comment  interfaces and social media sites many websites, function in a classic  one-to-many broadcast format without offering interfaces for users  input. This would be similar to the case of the television – the user’s  interaction defines the form of consumption – which pages to browse, at  what pace, when to scroll the page and so on. All the content is  predefined by an identified system – the site’s editing board. It is in  the site’s benefit to fit its content to the model of the audience just  like the Nike TV ad fit its message to its audience’s value system. Yet  the audience can be abstracted as a general public since its passive  consumption of information will not be very relevant to the nature of  the communication cycle. The only identity represented through this  dominant interface is that of the publisher.</p>
<p>Other sites allow visitors to use text comments. Most blogs are built  in this model. In this case the owner allows her audience to be active  consumers of the information and to take part as authors of content  within it through a predefined interface. The communication cycle is  still one-to-many though a second layer of feedback is added and the  audience of the blog can develop many-to-many interaction between  themselves based on the context set by the blogger. The identities in  action are first and foremost that of the blogger and then those of the  community of followers that have gathered around the blogger and her  writing.</p>
<p>Others so called social web services such as Flickr and Twitter are  based on user generated content and primarily offer interface and  hosting as their product rather than content. The user becomes the  author and assumes a perceived ownership over the content. The webpage  is empty without the participatory content and is dependent on it. This  diagram might appear identical to that of the second model, but it is in  fact inherently different. The identity of the author is merely that of a privileged audience member. The actual  identity in power which is formalized through its interface is that of  the hosting site. The owner’s interface again, much like in the non  interactive example, sees the members as an abstract public rather than a  defined and identified community. Defined communities might emerge  within this interface but the choice of interface and in that sense the  context and format of the interaction is totally dependent on the  service provider.</p>
<p>We can see in all these models that the website&#8217;s owner may give away  some control over the content but would always maintain the control  over the interface itself. Even the highest level of interactive web  content does not allow authorship of the interface – and so while  content can be authored by the owner of the site or its audience the  rules of engagement are always defined by one side of the communication  cycle.</p>
<h3>Commons-Based Peer Production &#8211; A New Ideology</h3>
<p>One of the most radical interfaces of the web is that of Wikipedia-  The Free Encyclopedia. What makes Wikipedia’s model so exceptional and  have become the subject of an extensive discourse and research, is again  the relationship between content, interface and identity. In  Wikipedia’s case there is no single identified author identity but a  peer-produced context – the Wikipedia article. Yale Law professor Yochai  Benkler, one of the most influential theorists of free culture and  network production defines this phenomenon as a new force in the market.  He coined for it the term Commons-Based Peer Production:</p>
<blockquote><p>I call this commons-based peer production. Commons (as  opposed to property) because no one person controls how the resource is  used, they are either open to the public or a defined group. Peer  production because it is done through self-selected, decentralized  individual action.</p>
<p><em>The  Wealth of Networks: How Social Production Transforms Markets and Freedom  / Yochai Benkler (2006)</em></p></blockquote>
<p>Benkler mentions Wikipedia as a prominent example in his writing but  stresses that it is not that a Wiki is just some kind of a magical  interface ingeniously designed to generate high-quality content. It has  been the community of editors and moderators that from the early days of  Wikipedia made sure that the work of vandals, spammers, pranksters or  even just inadequate contributors is balanced by moderation and this  valuable yet vulnerable network produced good is protected.</p>
<p>Wikipedia is a collective identity involving a complex governance  structure. It might be the most liberal example of a successful web  application we can see today, and is an inspiring proof of how  alternative social structures can emerge on the web. Still, its  communication circuit has a pattern similar to that of the Nike  commercial:</p>
<p>Sender’s concept: We want you to edit content only if you can really  make a constructive contribution to better the quality and accuracy of  the article and towards the shared goal. Wikipedians should work towards  a wide-consensus, the articles are not meant to present individual  expression or discussion.</p>
<p>Sender’s encoding (embedded in the interface): Wikipedia is a common  effort and a valuable resource to all its users. The page you are  browsing is the product of hard voluntary work by a group of people  dedicated to a mutual goal. We invite you to be a constructive part of  this group. Should you decide that your input can benefit this work,  then and only then should you click the edit button, learn the unique  editing syntax and make the edit. We expect you to respect the power we  invested in you and to double and triple check before pushing your edits  live. Remember your edit is always temporary and can be changed or  reverted immediately by any other user or moderator. We trust you and  believe you would act in the benefit of the greater good.</p>
<p>The program / (meaningful) discourse: Minimal interface, very  rational and utilitarian. The article page is not editable in itself.  Edit links are available for different parts of the page. The link  leading to a discussion page appears at the top and is deemphasized  (only a fraction of Wikipedia’s users ever noticed its existence). The  interface is unique, it is not impossible to understand but it does  requires learning, adjusting and a bit of trial and error. The interface  allows you to preview your edit prior to submitting it.</p>
<p>Wikipedia’s ideology is deeply encoded into its interface. It is run  by a non-for-profit organization, and is built on the practices and  ethos of the Free Software movement. This carefully crafted and tightly  policed ideology is the main source for its success. We know for fact  that Wikipedia’s dominant code is widely exercised by tens of thousands  of editors who follow the message and practice the ideology. We can  firmly say that this ideology is also practiced by millions and millions of Wikipedia users who do not edit Wikipedia  entries feeling not knowledgeable enough to contribute, or not worthy of  taking part in this almost religious practice.</p>
<h3>The Revolution Will Not Be Verified</h3>
<p>Attempts at oppositional or even negotiated decoding of  Wikipedia’s  participation ideology, like spam and vandalism, are strictly reverted  and blocked by Wikipedia’s moderators &#8211; volunteers who have climbed up  the Wikipedia hierarchy by proving to be loyal to the shared ideology  and worthy of more authoritarian powers.</p>
<p>On June 27th, 2005 inspired by the way Wikipedia successfully  maintains a dominant code in an open and critical environment, the Los  Angeles Times launched a new feature in their site which they called  Wikitorials. The idea was that the editorial articles would be offered  as wiki articles for the readers to participate on and collaboratively  edit. On June 19th, after two days of seeing their editorials being  spammed and vandalized this brave initiative in open journalism was  canceled. The following message was left on the page: “Unfortunately, we  have had to remove this feature, at least temporarily, because a few  readers were flooding the site with inappropriate material. Thanks and  apologies to the thousands of people who logged on in the right spirit.”</p>
<blockquote><p>“If you&#8217;re going against what the majority of people   perceive to be reality, you&#8217;re the one who&#8217;s crazy”</p></blockquote>
<blockquote>
<p style="text-align: right;"><em>Stephen  Colbert   in The Colbert Report</em></p>
</blockquote>
<p>An interesting example of leadership and of conflicting codes   happened on the Wikipedia Elephant article. In the TV show <em>The   Colbert Report</em> Stephen Colbert plays a satirical character of a   right wing television host dedicated to defending Republican ideology by   any means necessary. For example he constructs ridiculous arguments   denying climate change. He is not concerned that this completely ignores   reality, which he claims &#8220;has a Liberal bias”.</p>
<p>On July 31st, 2006, Colbert ironically <a href="http://www.colbertnation.com/the-colbert-report-videos/72347/july-31-2006/the-word---wikiality">proposed  the term Wikiality</a> as  a way to alter the perception of reality by  editing a Wikipedia  article. Colbert analyzed the interface in front of  his audience and  performed a live edit to the Elephants page, adding a  claim that the  Elephant population in Africa had tripled in the past 6  months.</p>
<p>Colbert proposed his viewers follow a different social pact. He   suggested that if enough of them helped edit the article on Elephants to   preserve his edit about the number of Elephants in Africa, then that   would become the reality, or the Wikiality – the representation of   reality through Wikipedia. He also claimed that this would be a tough   “fact” for the Environmentalists to compete with, retorting &#8220;Explain   that, Al Gore!&#8221;</p>
<p>It was great TV, but created problems for Wikipedia. So many people   responded to Colbert&#8217;s rallying cry that <a href="http://en.wikipedia.org/w/index.php?title=Elephant&amp;oldid=66977333">Wikipedia  locked the article on  Elephants</a> to protect it from further  vandalism. Furthermore, Wikipedia banned the  user stephencolbert for  using an <a href="http://en.wikipedia.org/wiki/User:Stephencolbert">unverified  celebrity name</a> (a violation  of Wikipedia&#8217;s terms of use).</p>
<p>If we refer back to our definition of interface as a point of  interconnection between two independent systems, we can understand how  both Wikitorials and Wikiality were pushing the wiki interface beyond  its ideological context – exposing the delicate ideological balance it  is situated in. Wikipedia (as an independent system) strives to maintain  a productive relationships with each of its users (the other  independent systems) through its ideologically encoded interface. The LA  Times Wikitorials experiment attracted an audience similar to that of  Wikipedia, Jimmy Wales, the co-founder of Wikipedia actually contributed  one of the first edits to Wikitorials, and attempted to borrow the  interface model without understanding that the LA Times in itself  represents a different ideology. The LA Times is not a Non-For-Profit  and it does not stand for Commons-Based Peer Production. It has a  history of representing exclusive authority and maintaining tight  control over content. The message it was encoding could not conceal  these inherent identity and ideology differences between its own and  that of Wikipedia. The LA Times could not invest the patience and endure  the growing pains that Wikipedia suffered from in the early stages of  self definition. After only two days it have used its ultimate  authoritarian power as the owner of the interface – it called the  experiment off. The Colbert Wikiality attack has used Wikipedia as a  model and a platform for a mutually constructed ideology and have  created a spectacle of information vandalism along the lines of the Yes  Men’s Dow Chemicals TV prank. It was in a way the opposite example to  Wikitorials – the same system (Wikipedia) offers the same interface (the  wiki interface) to an audience that is dedicated to a different  ideology than its own. Hosting the wiki interface under the LA Times  domain encoded a different message into the interface and generated  oppositional decoding. In the Colbert Report case the same Wikipedia  message encoded into the interface was at play. Yet a deliberately  oppositional decoding was leading Colbert fans edits practicing the  dominant code of Colbert’s televised Wørd.</p>
<p>We can see by now that ideology is embedded in the interface and that  often the interface acts as a message in itself. When Mcluhan wrote  &#8220;the medium is the message&#8221; he was implying a lot of the communicated  message is embedded in the medium of choice. He was referring to atoms  when a medium, like television, had a defined interface and a stable  control mechanism. Today he might have revisited this quote and go for  &#8220;the interface is the message&#8221;. In the case of the web this message is  almost always broadcasted in the model we are familiar with from  earlier, less-interactive forms of mass media. In both these wiki cases,  though control was definitely distributed through the wiki interface,  one side of the communication diagram always holds the keys. In both  cases this side chose to execute its authoritarian power to &#8216;call the  deal off&#8217; when the desired participation was not acheived. The fact that  one side can break the deal and the other can’t is a part of the  interface and reveals its bias – a bias that has become the foundation  of how we know the web.</p>
<h3>Unknowns Knowns in On-line Urban Space</h3>
<p>We can now frame the paradox of user-interface at the age of  proprietary software. While interface attempts to stand between two  independent systems, to define their borders and their rules of  engagement, user-interface in software is almost always defined by the  side of the software developer. In the diagram of  software/interface/user the interface is controlled by the side of the  software. This often proves to be an efficient model, but we should look  beyond efficiency. As a form of cultural practice, user-interfaces  teach us how to interact with systems and how to comply with their  rules. The paradigm of user interface as compliance with biased rules of engagement is a way of <em>manufacturing  consent</em>.</p>
<blockquote><p>“There are known knowns. These are things we know that we  know. There are known unknowns. That is to say, there are things that  we know we don’t know. But there are also unknown unknowns. There are  things we don t know we don’t know.”</p>
<p style="text-align: right;">Donald  Rumsfeld, March 2003</p>
</blockquote>
<p>In an essay titled Design As An Ideological State Apparatus Lacanean  philosopher Slavoj Zizek reacted to Rumsfeld’s attempt in amateur  philosophy and suggested: “What he forgot to add was the crucial fourth  term: the ‘unknown knowns,’ things we don’t know that we know which is  precisely the Freudian unconscious, the “knowledge which doesn’t know  itself,” as Lacan used to say.“ Zizek claims that it is with these  unknown knowns that design deals. It is also the unknown knowns that are  embedded into interface design. We “don’t know we know” that we don’t  make the rules of the interface. We “don’t know we know” that we follow  the dominant ideology encoded into the interface. We “don’t know we  know” that our compliant use of interface is also defining our  “know-how” of interfacing with other systems of control.</p>
<p>The great promise of the web was that it lowered the threshold of  accessibility to media publishing, both as a consumer and a producer.  Writing HTML is fairly easy and does not require any programming skills.  The most basic and most powerful interface of the web – the hyperlink  is in the grasp of any user. HTML is an open standard and is not  exclusively controlled by a single party. If so, what are the unknown  known of the web? What are the constructs of the web that we have come to take for granted?</p>
<p>HTML is the common denominator for web development, and is involved  to some extent in any interface on the web. That is, of course, as long  as you are the owner of the website. The construct of the Domain Name  System (DNS) as it is used on the web creates a link between three  elements: identity, control and space. While our experience of everyday  life in the physical world formalizes these three elements and unites  them in the body (as identity, as control and as space), on the web they  are projected to the webpage. Control over the space of the webpage is  in the hands of the identity behind it.</p>
<p>Unlike the body though, the online space is experienced as an  information retail space – inviting people to wonder through it and shop  for information. Like in retail space private space is maintained and  the rules of engagement are defined by the identity in power. Unlike in  physical space though, private control is not contrasted by other forms  of control, it is the only control diagram on the web. Every space is  owned and controlled. The web has developed like a hive of networked  benevolent dictatorships which practice their control through interface.</p>
<blockquote><p>“A unitary urbanism — the synthesis of art and technology  that we call for — must be constructed according to certain new values  of life, values which now need to be distinguished and disseminated.”</p>
<p style="text-align: right;">Gil J.  Wolman, September 1956<br />
at the Lettrist International Delegate to the Alba Conference</p>
</blockquote>
<p>There is currently no public space on the web. In the fifties and  sixties Wolman and the Situationists International have warned us the  shift from public to privately controlled urban spaces. This accurate  prediction about urban space has materialized perfectly in cyberspace – a  social space completely controlled and privately owned.</p>
<p>While this critique of the web might share a lot with the  Situationist ideas of Unitary Urbanism, we must distinguish these two  social spaces. <em>Unitary Urbanism</em> and ideas advocated by newer  movements like <em>Reclaim The Streets</em> are based on a somewhat  romantic idea of preserving and reclaiming the city’s public spaces.  Yet, the web has never had any public space.</p>
<p>The closest thing to public space on the web in my view would be  Wikipedia, which offers an alternative to the identity/property paradigm  and offer a democratic governance system that in potential allows any  user to achieve access to position of power. But as we’ve already  established that Wikipedia in itself does not make its interface (and  ideology) as accessible as its content. Wikipedia&#8217;s governance is  complex to the level a bureaucratic catch 22 – to attempt to change the  system you need to become its greatest disciple. In our physical world  terms Wikipedia would be a public service institution. While unitary  urbanists speak of the transition of the city’s social life from the  town square to the mall, the entire web has been built as a mall and  currently has no model for a town square.</p>
<p>Moreover, in our context the web is formally closer to ideology – in  its immateriality, in its artificiality, in its detachment of body from  identity and in its practice of information. This similarity between  ideology and interface is exactly what makes the web an important field  for social and political practice.</p>
<p>Our compliance as web users is the web’s biggest unknown knowns. We  can’t think of the web in any other way. Wikipedia proved this  perception can be challenged when it comes to user generated content,  but we have yet to see a substantial challenge to the dominance of  interface. This might be a call for a new approach of user generated interfaces.</p>
<h3>Cracks in the Walls</h3>
<p>It seems like the call for more openness, further information  mobilization and a challenge to the bordered website paradigm is coming  from all ends of the web and new initiatives and technological trends  are being promoted.</p>
<p>The past few years have seen a growing tendency for embracing web  standards that keeps the content, the structure and the presentation of  the page separate from each other. The <strong>content</strong>, lets say, a blog  post can <strong>structured</strong> using the title with an excerpt from the text  body and a mention of the time of publishing, the category and so on…  and then <strong>presented</strong> with a different, composition, colors, fonts.</p>
<p>Using web standards (as promoted by the W3C) has many benefits for  web development but it also the propagator of the huge information  mobility that we see on the web today. When the content can be extracted  from the context of the page it can be published in different formats  and can ‘travel’ beyond the walls of the webpage.</p>
<p>One of the main developments making use of this information mobility  is the RSS feed – a way to store <strong>content</strong> as in a file that can  then be easily <strong>structured</strong> and <strong>presented</strong> in different  contexts. And so new interfaces are being built to deliver information  and serve it from different sources on the web. This content mobility  beyond the private webpage not only does not deprive websites from the  desired incoming ‘traffic’, but often generates more traffic and greater  exposure for sites previously anonymous.</p>
<p>Information feeds have become a standard that generated many  innovation in the field of interface design and have promoted the idea  of the web as a continuous information space rather than a collection of  segregated private spaces. Today there is a demand of many web services  to open-up and provide hooks for external interfaces to use the data  without having to browse to the website and conform to the specific  structure and presentation used there. This demand expands beyond just  text feeds. Media is also being fed through image, audio and video  aggregators. Even interfaces are moving beyond the borders of the webpage. The most prominent example in this field is  Google Maps. It provides both a powerful online map interface and a hook  into that interface, what is called an Application Programming  Interface (API). Unlike the User Interface (UI) the API allows simple  ways to programmatically request services from a software. What this  means is that the powers of one software can be shared by another. In  the case of Google Maps, it has created an explosion of online mapping  applications and together with GPS technology have substantially  contributed to the renewed interest in mapping and geography.</p>
<p>We cannot suspect Google of being just plain generous with its  services, obviously Google benefits from having user generated content  routed through their API and copied into its databases for its ongoing  total information project. Proprietary software companies have an  incentive to invest in APIs to extend their product&#8217;s penetration and  their users dependency on the service. It allows them to offer hooks to  the service while maintaining control over the source code and not  having to open it &#8211; enjoying both worlds &#8211; the open and the proprietary.</p>
<p>While search engines have always attempted to survey the information  on webpages and to refer to ‘point at them’ from afar, a couple of  services have developed to formalize website metadata that is not based  on web-crawler algorithms but rather on user generated content. A major  trend in that field is that of social bookmarking. Social Bookmarking  services gather links, classified and tagged by users and shared between  them. Various service models like Del.icio.us, Digg and to a certain  degree even Twitter are working in this field.</p>
<p>Social Bookmarking  have become a standard process to collaboratively gathering metadata  about pages and to some extent have become ways to annotate a site from  afar. They further emphasize the tendency towards interconnectivity and  more user authorship in the websites they browse.</p>
<p>Another  technological field of research that has been around for a while but  have yet to take off in its full potential is the metaweb. Metaweb  stands for web applications and platforms that attempt to expand the  interactive features offered by webpages. The most common application of  the metaweb are social annotation applications – allowing users to  leave text on pages (in many cases using the sticky note metaphor).  Another common metaweb application resembles the function of a highlighter pen and allows to save marked-up  text on a page.</p>
<p>Metaweb applications often use a browser  extension architecture to add the meta functionality to the page or  sometimes through a proxy page – a copy of the original webpage content  under another domain that includes the meta interface. Metaweb  applications are pushing the envelope on the way we’ve learned to experience the web, as they offer us to carry our own  interface with us as we browse the web.</p>
<p>It seems like even  though the webpages have always been built on a model of individualism,  ownership and privatization, more and more users are demanding a public  space on the web. There are several ways to challenge interfaces, to  reexamine the privatized model of the web and to promote these user  generated interfaces. They require understanding of the current  technological trends and an open discussion of the power structures  behind interface. We can spot two approaches to this task, one in the  practice of tactical media and the other in what I would refer to as  strategic media. Each can be used, apart or in conjunction to retrieve  user agency in the interface, and to claim interface as a proposition  rather than a construct.</p>
<h3>Something To Do: I &#8211; Tactical Media</h3>
<p>There are many definitions to tactical media. All of them speaks of this  practice as a short lived ‘hit-and-run’ use in opposition to a target  of power.</p>
<blockquote><p>“The goal is not to destroy technology in  some neo-Luddite delusion, but to push it into a state of hypertrophy,  further than it is meant to go. Then, in its injured, sore, and  unguarded condition, technology may be sculpted anew into something  better, something in closer agreement with the real wants and desires of  its users. This is the goal of tactical media.”</p>
<p style="text-align: right;">Alexander  Galloway<br />
Protocol – How Control Exists After Decentralization</p>
</blockquote>
<p>In  the case of interface, the goal of tactical media is not to refrain  from engagement with systems, but rather the opposite – extend it. One  of these approaches is <strong>hacking</strong>. Hacking is more than just a  technical skill, it is an important approach to the world we are living  in today. In a world that becomes more controlled and consolidated from  day to day, hacking stands for examining relationships with a fresh eye,  it is an approach very close to Hall’s negotiated decoding. And indeed  what we should be promoting is for interface to become more negotiated.</p>
<p>Hackers  attempt to exploit the system, and this does not have to involve  complex programming. For example, an interesting tactical hack on  interface is the <strong>Google Bomb</strong>. In 2003 Anthony Cox have created a  parody of the “404 &#8211; page not found” browser error message in response  to the war in Iraq. The page looked like the error page but was titled  “These Weapons of Mass Destruction cannot be displayed”. The rest of the  page kept switching between the original text of the error message and  the prank concerning the lack of proof that Saddam possessed any WMDs.</p>
<p>The  page has become a successful amusing meme and have gained a lot of  popularity and traffic for the first couple of weeks. Four months later,  after the meme had already died, it was reborn in another form. It  seemed like when searching for the term “weapons of mass destruction”  Google returned Cox’s prank site as the first result. Google’s page rank  algorithm had calculated all the pages linking the term “weapons of  mass destruction” to Cox’s site and has ‘assumed’ that this mean that  site would be the most relevant result in a search for “weapons of mass  destruction”. This prank and the metaphorical search result issue were  initially the cause of a pure coincidence, but the users have decided to  embrace it and a big grassroots campaign were launched on the  blogosphere to mention the words “weapons of mass destruction” and link  them to Cox&#8217;s prank page and by that assure the hack is sustained.</p>
<p>Google prides itself in its unbiased algorithms and in their  mathematical accuracy, but the Google Pagerank technology &#8211; the heart of  Google’s search engine can in fact be decoded as a latent interface. It  is designed to crawl the web and survey its content to decide which  site is considered by enough other sites as a reliable source. In the  case of Google Bombing data-mining is being appropriated deliberately to  inject a specific page as a search result. Google’s top search results  are a desired goal and are not at all meant to be interacted with. Yet,  the Google Bomb of mass distraction managed to divert the system and not only oppose the Bush administration through a political parody, but also  oppose Google&#8217;s administration of the web and game its so called  unbiased rational. And so, thanks to the Google Bomb hack, according to  Google circa 2003 the most relevant answer to the search for Weapons of  Mass Destruction was “These Weapons of Mass Destruction cannot be  displayed”.</p>
<p>Rather than using code Google Bombing uses <strong>reverse  engineering</strong> &#8211; an analysis of a system’s structure in order to learn  its processes and possibly introduce change in the system. Reverse  engineering is a practice at the heart of hacking but is also widely  practiced in political activism and by movements for social change. If  we can practice reverse engineering in software maybe we can apply the  same approach to reverse social engineering.</p>
<p>Tactical media should question interfaces and promote a critical  discussion of its role in society. Tactical media practitioners should  offer hacking spectacles such as the Google Bombing but also inspire and  educate others in the approaches of hacking – hacking of software,  hacking of hardware, hacking of interface and hacking of the social  structure.</p>
<h3>Something To Do: II &#8211; Strategic Media</h3>
<blockquote><p>“For  there to be such a thing as tactical media implies that there are also  strategic and logistic media. These terms go together, and describe 3  different levels at which contestation can take place. If the tactical  is local and contingent, the strategic involves planning and  coordination. The logistic would then refer to systematic, global and  long range organizations of forces.”</p>
<p style="text-align: right;">McKenzie Wark<br />
Strategies for Tactical Media &#8211; Realtime (Oct/Nov02)</p>
</blockquote>
<p>Strategic media is a different approach from the  short-lived hit-and-run. Strategic media is a “hit-and-stay” method of  opposition. It often shares some of the goals of tactical media and  sometimes even involves tactical practices as a part of the larger scope  strategy. Strategic media is a more complex practice as when you  “hit-and-stay” you risk being called to take responsibility for your  actions. Not only from the target you oppose or other authorities, but  maybe even from your peers in the struggle. Unlike its tactical younger  brother, strategic media requires patience and leadership. Strategic  media comes from an inclusive approach to social and political conflicts  – practitioners of this strategy don’t see themselves as external to  the culture they are attempting to change. I would argue that  identifying oneself within the system she opposes, makes her even more  committed to the struggle. Strategic media is indeed harder to execute,  it requiring further commitment and less immediate satisfaction. It  promises a more sustainable approach to system building, a system that  can mature and grow and not only oppose power, but actually propose  viable amendments.</p>
<p>Strategic media shares a lot of the values of parasitic media in its  attempt to influence the system from within. It is always a conflicted  practice and is bound to produce some miserable failures, but while  tactical media is winning some battles, it often looses the war.</p>
<p>One of the main strategic media practices we’ve seen bloom especially in  the past two decade since the rise of the internet is the rise of Free  and Open Source Software. This movement is not led by top-down ideology,  but rather by a very basic tendency of people to seek freedom within  systems. The Linux project, the Firefox browser, the Apache server, the  Creative Commons licenses and (once again) Wikipedia are all a part of  what Benkler defined as the new ideological force in the market – the  commons-based peer production. All of these examples and thousand others  can be referred to as strategic media practices.</p>
<p><strong>Greasemonkey</strong> is a good example of how a tactical media practice in the field of  interface have turned strategic. Greasemonkey is an extension for the  Firefox browser that allows users to install &#8220;userscripts&#8221; &#8211; javascript  hacks that automatically execute and modify the webpage on-the-fly. That  is – change the page that is displayed to the user while not affecting  the source of the website on the host server. Greasemonkey allows users  with coding skills to add, remove or fix features on the page their browsing, it also allows  them to integrate content from other sites and web services into the  page.</p>
<p>It was first published in December 2004 by Aaron Boodman, who according  to Wired magazine is “…a software engineer who got sick of dealing with  the Web on other people’s terms” and it has been developed since day one  as an open source project. Three months later Boodman started receiving  code contribution from other developers, another three months later it  has become the third most popular extension to the Firefox browser.  Later that year a book on the Oreilly series was published titled  ‘Greasemonkey Hacks’ and the community of hackers, that have developed  hundred thousands of userscripts, have been growing since then.</p>
<p>Greasemonkey,  like any other successful open-source project would have never  succeeded without the initial leadership of Boodman and the other  emergent hackers who got the community excited about the process. The  very nature of javascript is its openness – since it runs on the client  side (on the user’s computer) any user could easily open the userscript  and based on her javascript skills adjust and modify the script to fit  her own needs. Greasemonkey did not only offer a channel to easily hack  interface – it has also made sure that the new hacks are easily further  hackable.</p>
<p>We can think of userscripts (most of them consisting of  just a few lines of code) as tactical media interventions in webpages,  while Greasemonkey, as a platform would definitely be a strategic media  initiative – offering a standard and a committed leadership which was  well received by the hacker community.</p>
<h3>Conclusions</h3>
<p>The web has become possibly our major interface to globalization, it has inspired us to engage with it and have been teaching us how to. Interface is an extremely important field of political action today since it is not only our engagement within software and networks that is on the line. It is our perception of engagement and responsibility in a  world that is drifting away from social structures based on human relationships, involving mutual dependencies and trust and further into formalized technocratic structures based on numbers and statistics leading us to segregation, privatization and profit/loss based relationships.</p>
<p>Interface is the key to responsibility in political structures.  Democracies offer an interface to governance, not only as a way to base the government on the will of the people but as an interdependent system that implies distributed responsibility. Processes of privatization and segregation have been affecting the way we perceive democracies. The latent interface rendering the single vote almost completely powerless have resulted in alienation and lack of trust between governments and the public they represent.</p>
<p>I see the crisis of democracy as an interface problem. When groups of power can interface with governance through finance the idea of equal representation is broken. The way the current political system is set up in the US, allowing political lobbying and fundraising for candidates is practically an interface for corruption. (not rendered as such for its legality)</p>
<p>There is no doubt that voting through money is an anti-democratic interface. In the beginning of the 19th century the perception of power was different, women were not allowed to vote in the US until 1920. Since World War II questioning the capitalist democratic model was considered treason and was a social and ideological taboo. The fall of  the Berlin wall and the collapse of the Soviet block (which also marks the rise of tactical media) have provided a new opportunity to reexamine the interfaces of American democracy. But the ruling ideology of this era is well embedded into the structure of the web, it is one of privatization and passivity in front of systems.</p>
<p>Bureaucracy became the interface between citizens and governance. The mall replaced the town square as an interface to public space. Financial power became an interface to democracy, and to some extent the term ‘democracy’ became an interface for financial power.</p>
<p>Today, interfaces are designed to channel our behavior and the way we interact with the systems behind them. They are revealed to us as tools. We have learned to trust them and have grown dependent on them. We have gotten so used to our interfaces that we forget to critically examine them and reveal their biases. We forget to ask who designed the  interface, and on whose behalf? How was it introduced to us? What is our desired interaction with the system and how is it channeled or not channeled through the interface?</p>
<p>While they offer us formalized interaction, software interfaces teach us not to expect to define these rules of engagement. This is a call to regain agency, through hacking, open-source and media activism. We should use the practices of tactical media and strategic media to oppose the logistic media of global power. There is an inherent conflict in interface, a conflict we need to engage with and attempt to subvert. New ideologies are developing from global interconnectivity, from the Free Culture and the Free Culture movements and from the different facets of DIY and hacker cultures. These new ideologies are developed from bottoms up – from communities sharing mutual goals rather than those in powers defining an arbitrary abstract public. This new action demands a renewed social dependency, openness, creativity, leadership and trust. The  power balance of interface can be reconsidered. It is time for us to sit down and rewrite our rules of engagement.</p>
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		<title>סדנה בבצלאל &#8211; המרחב הישראלי: תאוריית הקשר</title>
		<link>http://www.mushon.com/2010/03/14/%d7%94%d7%9e%d7%a8%d7%97%d7%91-%d7%94%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99-%d7%aa%d7%90%d7%95%d7%a8%d7%99%d7%99%d7%aa-%d7%94%d7%a7%d7%a9%d7%a8-%d7%9e%d7%91%d7%95%d7%90-%d7%9c%d7%a1%d7%93%d7%a0%d7%94/</link>
		<comments>http://www.mushon.com/2010/03/14/%d7%94%d7%9e%d7%a8%d7%97%d7%91-%d7%94%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99-%d7%aa%d7%90%d7%95%d7%a8%d7%99%d7%99%d7%aa-%d7%94%d7%a7%d7%a9%d7%a8-%d7%9e%d7%91%d7%95%d7%90-%d7%9c%d7%a1%d7%93%d7%a0%d7%94/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 04:41:40 +0000</pubDate>
		<dc:creator>mushon</dc:creator>
				<category><![CDATA[in Hebrew]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.mushon.com/?p=478</guid>
		<description><![CDATA[English notice: This post is a part of the &#8220;Israeli Sphere: Connection Theory&#8221; a workshop I lead in Bezalel Art and Design School in Jerusalem, Israel. The workshop will be led in Hebrew, but I will try to post its results here with some English to accompany it too. Here&#8217;s a short description in English: [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left; direction:ltr"><strong>English notice:</strong> This post is a part of the &#8220;Israeli Sphere:  Connection Theory&#8221; a workshop I lead in Bezalel Art and Design School in  Jerusalem, Israel. The workshop will be led in Hebrew, but I will try to post its results here with some English to accompany it too. Here&#8217;s a short description in English:</p>
<h3 style="text-align: left; direction:ltr">The Israeli Sphere: Connection Theory</h3>
<p style="text-align: left; direction:ltr">1948, The water level in the sea of Galilee, Bublil, Shema Yisrael, what&#8217;s the connection?<br />
Through a design-research workshop we will place information bits lost inside the web of the &#8220;Israeli sphere&#8221; in an attempt to find out, where is this Israel sphere anyway? How to design inside it? Towards it? From it? Students will work in small groups and will conduct a networked research following cultural, logical and visual connections. The work methodology will be divided into three steps: Content, Structure &amp; Presentation, inspired by new approaches of indexing, linking and delivering information online. In spite of the networked inspiration and practice, the output of the workshop is not limited to this medium or the other and the workshop is open to students from different disciplines as long as they are ready to work hard, sleep little and experiment with this new and challenging process.</p>
<h2>תיאור  הסדנה</h2>
<p>1948, מפלס  הכנרת, בובליל, שמע ישראל&#8230; מה הקשר?<br />
במהלך סדנת עיצוב-חוקר נמקם פיסות מידע אובדות בתוך רשת ה&#8221;מרחב הישראלי&#8221;  במטרה לגלות איפה זה בכלל המרחב הישראלי הזה? כיצד מעצבים בתוכו? לתוכו?  מתוכו? סטודנטים יעבדו בקבוצות קטנות וינהלו מחקר מרושת בעקבות הקשרים  תרבותיים, לוגיים וחזותיים. מתודולוגיית העבודה תחולק לשלושה שלבים: תוכן,  מבנה ותצוגה בהשראה מגישות חדשות לתיוג, חיווט והגשה של מידע ברשת. על אף  ההשראה והפרקטיקה המרושתת, תוצרי הסדנה אינם מוגבלים למדיום זה או אחר  והסדנה פתוחה לסטודנטים מדיסיפלינות שונות כל עוד הם מוכנים לעבוד קשה,  לישון מעט ולהתנסות בצורת עבודה חדשה ומאתגרת.<img title="More..." src="../wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" /><span id="more-478"></span></p>
<h2>יום ב&#8217;,  בריף #1: ממצאים מהרשת</h2>
<h5>זמן הגשה: 15:00</h5>
<p>בתחילת  הסדנה התבקשתם לבחור מתוך מבחר פתקיות פוסט-איט כשעליהן מצויין מעין קוד  הבנוי מספרות ואותיות. אל תרגישו מוזר אם זה לא אומר לכם כלום. פתחו דפדפן  איטרנט והקלידו את הכתובת http://bit.ly/ ואחריה / ואת הספרות והאותיות  שקיבלתם. לדוגמא, אם קבלתם את הקוד b4yTXe הקלידו http://bit.ly/b4yTXe  הלינק המקוצר הזה יוביל אתכם אל הממצאים הראשונים שיעזרו לנו למקם את עצמנו  בדבר הזה שאולי נוכל לקרוא לו &#8220;המרחב הציבורי הישראלי&#8221;.</p>
<p>פיסות המידע  שקיבלתם חלקן תוצרי המרחב הישראלי, חלקן מיצרות את המרחב הישראלי, חלקן  חיות בשלווה במרכז התודעה וחלקן נלחמות על מקומן. הבחירה בהן נעשתה על בסיס  שרירותי לחלוטין, היא קרוב לודאי מיצגת פנים מצומצמים למדי של המרחב הזה  אך בשאיפה יש בכל אחת מנקודות ההתייחסות הללו ערכים שידרבנו אתכם לחפש  הלאה.</p>
<p>מה אתם  צריכים לעשות?</p>
<ul>
<li>הכינו  פתקיות צהובות וטושים שחורים עבים</li>
<li>פתחו דפדפן  אינטרנט וגלו את הקישור שמאחורי הקוד הראשון שקבלתם</li>
<li>מיד  לכשהקישור נפתח כיתבו לפחות שתי פתקיות עם הרשמים הראשונים שלכם מפיסת  המידע</li>
<li>חקרו עמוק  יותר אל תוך הממצא שלכם וכתבו לפחות 10 פתקיות נוספות (הרגישו חופשיים  לכתוב כמה פתקיות שעולות במוחיכם). אם אתם צריכים לחקור עוד כדי ללמוד יותר  על המידע שקיבלתם, הרגישו חופשיים לעשות את זה.</li>
<li>הדביקו את  הקוד שלכם (הפתקית האדומה) על הקיר בכיתה</li>
<li>הדביקו את  האסוצייציות וההקשרים שלכם (הפתקיות הצהובות) מסביב לפתקית האדומה &#8211; ייצרו  מעין רשת של הקשרים מסביב לקוד שקיבלתם</li>
<li>חזרו על  אותו התהליך עם הקוד השני</li>
<li>כשאתם  מוכנים או לחילופין כשהדדליין מגיע, נפגש בכיתה ונמשיך לשלב הבא</li>
</ul>
<h2>יום ב&#8217; בריף #2 : להסתדר בשלשות</h2>
<h5>דדליין ומעבר לשלב הבא: יום ב&#8217; 18:00</h5>
<p>את המשך העבודה משלב זה נעשה בקבוצות. אתם  לא מחוייבים לקבוצה זו או   אחרת, אבל אתם מתבקשים לבחור את שותפיכם גם מתוך  התחשבות בדרך בה רשתות   המידע שבנו סביב הקודים שלהם יהיו מעניינות לפתח  בהקשר למידע שאספתם אתם   סביב הקודים שקיבלתם. בשלב הבא נעמיק את המחקר סביב  רשתות המידע שבחרתם כך   שזכרו שבשלב זה אתם בוחרים לא רק שותפים לעבודה,  אלא גם פיסות מידע  חדשות  להתעסק בהן.</p>
<ul>
<li>בקשו מחבריכם להציג לכם את רשת ההקשרים שבנו, נסו לדמיין את החיבור בין    פיסות המידע שאספתם אתם לבין אלה של חבריכם. (קחו בחשבון שנתן לכם   האפשרות  לוותר על כמה מהנושאים שלא יתאימו לרשת המשותפת שלכם או לשחק עם   דגשים  שונים על היבטים שונים ברשתות שלכם)</li>
<li>התחלקו לשלשות ורכזו את הרשתות שלכם בפינה אחת בכיתה.</li>
<li>חזרו על בריף #1 עם שתיים מהרשתות סביב הקודים של שותפיכם והוסיפו להם    לפחות עוד 6 פתקיות (לפחות)</li>
</ul>
<h2>יום ב&#8217; בריף #3 : נראטיב ומבנה</h2>
<h5>דדליין ומעבר לשלב הבא: יום ג&#8217; 16:00</h5>
<p>בשלב הבא נייצר מסלולים ונשרטט נראטיבים בין  הרשתות שתוויתם. המטרה   שלנו הוא למפות את הנושאים שהעלתם ולקשור הקשרים  חדשים מתוך הרשתות   שיצרתם.</p>
<ul>
<li>ראשית, כדי לעגן את ההקשרים המקוריים, מתחו חוטים אפורים בין הקוד לבין     ההקשרים שמתחתם ממנו. אל תהססו למתוח חוטים אפורים בין הקישורים השונים  ברשת שבניתם סביב הקוד המקורי.</li>
<li>ההקשרים עצמם אם   הם  אינם נובעים ישירות מתוך הקוד המקורי. החוטים  האפורים יאפשרו לנו   להפריד  בין הרשתות הראשוניות שתוויתם בשלב התוכן  לבין ההקשרים החדשים   שתייצרו בשלב  המבנה.</li>
<li>עכשיו כשכל רשת מסומנת ע&#8221;י חוטים אפורים נתחיל לשרטט נרטיב שיעבור בין    רשתות ההקשרים. בחרו חוטים צבעוניים והחלו למתוח רשתות חדשות בין הקשרים    שונים שהעלתם בשלב התוכן. אגב, הרשת לא חייבת להיות לינארית, הקשר אחד  יכול   להתחבר ליותר משני הקשרים אחרים.</li>
<li>אני רוצה לראות לפחות 3 נרטיבים אופציונליים בין ההקשרים שהצעתם.</li>
<li>כל נרטיב אפשרי שתציעו יכלול לפחות ארבעה מתוך ששת הרשתות הראשוניות    שאיתן אתם עובדים.</li>
</ul>
<h2>יום ג&#8217; בריף #4 : תצוגה ובריף עצמאי</h2>
<h5>דדליין ומעבר לשלב הבא: יום ג&#8217; 19:00</h5>
<p>בשלב זה נבחר נראטיב מוביל מתוך ה-3 שזיהינו ונייצר לעצמנו בריף עצמאי:</p>
<ul>
<li>בחרו את אחד מהנראטיבים שמושך אתכם במיוחד להתעסק בו</li>
<li>יצרו רשת פתקיות חדשה שמתארת את הנראטיב שזיהיתם<br />
(בשלב זה אין עוד צורך מיוחד להתייחס אל כל ההיבטים ולכלול את כל ההקשרים הראשוניים שזיהיתם בשלבים הראשוניים ואתם חופשיים להמשיך את המחקר שלכם אל תוך הסוגייה שזיהיתם במרחב הישראלי.)</li>
<li>כעת נסו ליצר לעצמכם את הבריף:
<ol>
<li>מה הוא המידע שברצונכם להעביר?<br />
בנקודות: מה אמור הצופה/משתמש/קהל/נמען העבודה לקבל?<br />
מה הן השאלות שאתם רוצים לשאול? שאתם רוצים שהנמענים שלכם ישאלו את עצמם?</li>
<li>בנו אסטרטגיה של מדיום: איזה נתיב מידע יוכל להעביר את המסר שלכם בצורה הטובה והבהירה ביותר?<br />
(התחשבו גם המגבלות הזמן והטכנולוגיה)</li>
<li>חלקו את התפקידים בקבוצה, בין מחקר תוכני, גרפי, טכני&#8230;</li>
<li>יצרו סקיצות, כמה שיותר וכמה שיותר מהר</li>
<li>הציגו את הסקיצות לפניכם ובקרו אותם ביחס למטרות שהגדרתם, האם הן משרתות את המסר? כיצד ניתן להדק אותן? כיצד ניתן להמשיך הלאה?</li>
<li>יצרו לעצמכם דד-ליינים, אם תרצו להתייעץ איתי בכל אחד מהשלבים הללו, ידעו אותי בזמן (את המייל שלי יש לכם)</li>
</ol>
</li>
<li>מכאן הלאה נגדיר לכל קבוצה את הבריף שלה</li>
</ul>
<p><strong>בהצלחה!</strong></p>
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