Course Objectives:
- To develop the theoretical and methodological skills necessary for producing rigorous research on new and emerging media.
- To become familiar with the new media research tools and to develop a critical approach to the use and misuse of these technologies.
- To develop hands on experience and understanding of the current cultural changes in media production and consumption.
- To adopt ‘power-user’ skills.
- To be able to critique the present and somewhat predict the future on new media.
Course Format
This course meets once a week in person but takes place constantly through the week on the class blog. Classroom time consists of both assessment of student research and discussion of the weekly readings. Assignments are being given weekly and deadlines are set for both classtime and through the week (to be submitted on the blog).
Travelogues
The central focus of this course will be a set of field trips into new media environments and the creation of travelogues. Each topic is pursued over a three-week period. Upon completion of one topic a new topic is selected and the cycle repeats itself. The travelogues will be published in the form of a collaborative blog. The blog will serve both as a research tool and as a way to document the process and results of the field trips.
Discussion of research findings of the last week, engaging criticism and feedback posted on the blog by the students and the instructor. Over the course of the semester a collection of travelogues will accumulate based on the student work. These will remain online as public documents, accessible both to other students as well as the general public.
Weekly theme
Each week the students will be assigned material revolving around the weekly theme. The weekly list would consist of required and recommended items. These items can be articles book segments and blog posts, they might also be audio and video presentations or other audiovisual content. Once through the semester each student would be required to summarize the assigned reading (both required and recommended) two days in advance of class, analyze the ideas expressed and engage them through the summary blog post. All students will be required to read the summary and comment on it towards the discussion in class lead by the assigned student.
Toolbox
Another focus of this course will be the toolbox – a growing collection of new media tools we will examine, use and critique in a format of a lab. Students will choose their tools based on this critical examination and will introduce new tools to the class to expand and advance our toolbox.
Course Requirements
All students are required to attend class and complete all assigned reading. Students are required to both post their own research blog posts and comment on other students work. Deadlines are rigid and posting late would not be appreciated.
New media travelogues:
Four different travels into new media lands are required. Each constructed of several blog posts. Each travelogue must include a set of blog posts aggregating and analyzing information from multiple sources and arriving at a critical conclusion. The posts may include text, audio, or visual material or reference other material on the web. Each post must be published as a blog post, and therefore will be subject to public viewing and possible response.
Critique Format:
Due to time and attention concerns, not all travelogues will be discussed in class every week. Students would choose the travelogues they would like to discuss in class, based on the comments they have made on the blog, and so more discussion provoking blog posts will win more student attention. We will try to assess what makes a post attractive and provoking and how to improve the blogging style based on that experience.
The New Media Embed Program
Towards the end of the semester we will work collaboratively on assembling a set of rules that will define guidelines for research into New Media environments.
Grade Formula
New Media Traveler’s Log #1: 10%
New Media Traveler’s Log #2: 15%
New Media Traveler’s Log #3: 15%
New Media Traveler’s Log #4: 15%
New Media Embed Program: 10%
Class and blog participation: 25%
reading discussion lead: 10%
Total: 100%
(No) Required Books
The readings in the class will be assigned by the students themselves while a recommended reading list will be provided for every class.
Schedule
Our schedule will be flexible and is bound to change based on the class’s activity. The following id a framework we will refer to but by no means is this the exact class schedule.
Class 1 – Course Introduction
Content: A Guided Tour To The Bad streets of the Web
Toolbox: Wordpress, Social bookmarking service, rss aggregator
Context: screening of Adam Curtis’ The Trap: Whatever Happened to our Dream of Freedom (part 1 of 3)
Assignment: Travelogue-I: The Trap.
Class 2 – Numerical Culture, How did we get here?
Critique: Travelogue-I
Case study: The Secret Lives of Numbers
Content: How does the internet work?
Case study: E-mail
Assignment: Travelogue-II.
Class 3 – The Public Sphere and The Blogosphere
Required Viewing:
Battle of Ideas panel discussion
Suggested reading:
Anna Notaro, The Lo(n)g Revolution: The Blogosphere as an Alternative Public Sphere?
Critique: Travelogue-II roundup
Toolbox: Blogger, Wordpress, webhosting, Technorati
Experiment: A week without Google
Assignment: Travelogue-II.
Class 4 Identity as Property and Panopticon 2.0
Required reading:
Suggested reading:
Tom Owad, Data Mining 101: Finding Subversives with Amazon Wishlists
Critique: A Week without Google, Travelogue II
Case study: Google Search, Gmail, Google Adsense, Google Adwords Happening
Assignment: Travelogue-II
Class 5 – Social Software, Publics and Communities
Required reading for next week:
- Dana Boyd: Social Network Sites: Public, Private, or What? (available as audio as well on the same link)
- Clay Shirky: Here Comes Everybody: The Power of Organizing Without Organizations (Event Video/Audio)
Recommended Reading for next week:
- Clay Shirky: A Group is it’s Own Worst Enemy
- Clay Shirky Gin, Television, and Social Surplus
Critique: Travelogue-II – final
Case study: del.icio.us, MySpace, FaceBook, Twitter
Toolbox: Open CMS Drupal, Joomla, Plone, Upgrade International
Assignment: Travelogue-III
Class 6 – Our Media?
Required Viewing:
Recommended Reading:
- Jenkins, Henry: Taking the You Out of YouTube?
- Dmytri Kleiner & Brian Wyrick – InfoEnclosure 2.0
Critique: Travelogue-III roundup
Case study:YouTube, Blip, Internet Archive, OurMedia, Bittorrent, The Pirate Bay
Toolbox: Where and how should we be hosting our videos online? How does podcasting work?
Assignment: Travelogue-III
Class 7 – Free Culture
Suggested reading:
- Lawrence Lessig’s Free Culture afterword (pp 273-306)
Required viewing:
- Lawrence Lessig’s Free Culture presentation
Toolbox: Creative Commons
Critique: Travelogue-III
Assignment: Travelogue-III
Class 8 – Commons Based Peer Production and Open Source
Required reading:
- Watch: The Wealth of Networks – A presentation by Yochai Benkler.
- Read: Excerpts from The Success of Open Source – by Steven Weber
Recommended Reading:
- Commons-based Peer Production and Virtue* – by Yochai Benkler * Helen Nissenbaum
- Property and the Problem of Open Source – by Steven Weber (the extension of the excerpts above, so no need to read both)
Critique: Travelogue-III – final
Toolbox: Open Source, Version Control, Linux
Assignment: Travelogue-IV
Class 9 The cult of Wikipedia
Suggested reading:
Jaron Lanier – Digital Maoism + responses to Jaron Lanier Digital Maoism
Critique: Travelogue-IV – roundup
Toolbox: Wikipedia, Wikiality, MediaWiki
Class 10 – The Internet of Thing
Suggested Reading:
Required Reading: Brian Holmes – Drifting Through the Grid: Psychogeography and Imperial Infrastructure
Required Viewing: Bruce Sterling’s presentation in the Innovation Forum.
Case study: Smart phones, RFID, GPS, Metrocard
Critique: Travelogue-IV
Assignment: Travelogue-IV
Class 11 – Interface as a conflict of Ideologies
Suggested Reading:
Mushon Zer-Aviv, Interface as a Conflict of Ideologies
Toolbox: Firefox, Greasemonkey, ShiftSpace
Critique: Travelogue-IV
Assignment: Travelogue-IV
Class 12 – Representation, Simulation, Fun & filthy rich media
Book Excerpt: “A Theory of Fun for Game Design” – What Games Aren’t / Raph Koster
SIMULATION 101: Simulation versus Representation / Gonzalo Frasca
Recommended Listening & viewing:
The Core of Fun – Presentation at Etech / Raph Koster
Class 13 – Network Theory
- Networks – The Science-Spanning Disciplines / Anna Nagurney
make sure to follow her presentation slides too
Recommended Reading:
- We Are Tired of Trees – excerpt from The Exploit: A Theory of Networks / Alexander R Galloway & Eugene Thacker
- Review of The Exploit: A Theory of Networks (2 reviews + 1 response)
Critique: Travelogue-IV – final
Toolbox: Napster, Bittorrent, Azureus, Tor
Assignment: New Media Embed Program
Class 14 – Biomedia
Reading:
- Review of Eugene Thacker’s Biomedia / Nicholas Ruiz III
- Decoding the Future with Genomics / Juan Enriquez
- Gene-Maps and Portraits of life itself / Donna Haraway
Critique: The New Media Embed Program
Assignment: New Media Embed Program
Class 15 – The Digital Divide and the Postnational Web
Required Listening/Reading:
Nicolas Negroponte, Participation Revolution: OLPC presentation at PopRech 2005:
[audio:http://itc.conversationsnetwork.org/audio/download/ITC.PopTech2005-NicholasNegroponte-2005.10.21.mp3]
- Nicolas Negroponte, “Interview with Riz Khan” Al-Jazeera October 2007
- Give me rice, but give me a laptop too / Bill Thompson
- Dvorak – Thompson, OLPC critique / Tom Carter weblog
Frost, Catherine Internet Galaxy Meets Postnational Constellation: Prospects for Political Solidarity After the Internet (a pdf will be emailed to you, please do not share.)
Critique: The New Media Embed Program / final conclusions
Case study: Savetheinternet.com, OLPC, Global Voices Online, Toot
Grading Rubric
A – Excellent. Student exhibits exemplary creativity through research and critical analysis. Research and writing is lucid and engaging with zero mistakes.
B – Good. References to the course material are well-selected and topical. Critical analysis is present, but largely rehearsed from class lecture and discussion. Student’s style is clear and has very few mistakes.
C – Satisfactory. References to the course material are well-selected and topical, but student performs little or no historical or critical analysis. Problems exist in student’s work. Work consists mostly of underdeveloped ideas, off-topic sources or examples, inappropriate research, or anecdotes.
D – Unsatisfactory. Student does not engage with the material and no historical or critical analysis is present. Substantial problems exist in student’s work.
F – Fail. Student does not submit work, or work is below unsatisfactory level.